{"id":171159,"date":"2022-08-01T13:39:37","date_gmt":"2022-08-01T18:39:37","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=171159"},"modified":"2022-08-01T13:39:38","modified_gmt":"2022-08-01T18:39:38","slug":"sports-movies-pov","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/sports-movies-pov\/","title":{"rendered":"Three Sports Movies that Changed the POV Rules"},"content":{"rendered":"\n<h2 class=\"wp-block-heading\" id=\"h-how-do-you-replicate-the-excitement-and-immersion-of-sport-in-movies-we-look-at-some-films-that-have-successfully-placed-the-audience-in-the-midst-of-the-action-using-pov-camera-techniques\"><span id=\"how-do-you-replicate-the-excitement-and-immersion-of-sport-in-movies-we-look-at-some-films-that-have-successfully-placed-the-audience-in-the-midst-of-the-action-using-pov-camera-techniques\">How do you replicate the excitement and immersion of sport in movies? We look at some films that have successfully placed the audience in the midst of the action using POV camera techniques. <\/span><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">When the cinematographer <a href=\"https:\/\/www.imdb.com\/name\/nm0230045\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Anthony Dod Mantle<\/a> was looking to shoot the movie <a href=\"https:\/\/www.imdb.com\/title\/tt1979320\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\"><em>Rush<\/em><\/a>, he understood the allure of Formula One racing. It was glamorous, sensual even, and attractive for sure. But, at the same time it was diabolical and dangerous; he wanted the audience to feel all those things.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He also knew that there&#8217;s no better way to get your audience to feel what your characters are feeling than a POV shot.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/vKMHXmWvQXA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Rush<\/em> is the story of the 1976 Formula One season that pitted the methodical Austrian <a href=\"https:\/\/en.wikipedia.org\/wiki\/Niki_Lauda\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Niki Lauda<\/a> against the cavalier Brit <a href=\"https:\/\/en.wikipedia.org\/wiki\/James_Hunt\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">James Hunt<\/a>. Dod Mantle would shoot the drama of their relationship, but fought to represent the danger of the racing. &#8220;You&#8217;re basically lying on a bomb, and there is something about that I found really interesting.&#8221;<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The film managed to get hold of some replica cars and either built or borrowed the Hesketh, Ferrari, and McLaren that featured heavily in the racing.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 id=\"sliders-on-cars\" class=\"wp-block-heading\">Sliders on Cars<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Having their own builds permitted, Dod Mantle and his crew started rigging cameras in and around the cars, including all the cabling. They used about thirty different cameras to capture the racing, including a camera for those unique close-up eyeball moments in the cockpit.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"400\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2022\/07\/Rush01.jpg\" alt=\"Rush Camera - Three Sports Movies that Changed the POV Rules\" class=\"wp-image-171234\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/Rush01.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/Rush01.jpg?resize=300,159 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/Rush01.jpg?resize=277,147 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/Rush01.jpg?resize=359,190 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/Rush01.jpg?resize=543,288 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/Rush01.jpg?resize=560,297 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/Rush01.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><figcaption><em>One of the sliders on the Ferrari allowed Anthony Dod Mantle to control movement from a follow vehicle. Image courtesy of <a href=\"https:\/\/www.indiecam.com\/shot-on-indiecam\/rush\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">www.indiecam.com<\/a><\/em>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">He would have his &#8220;mule&#8221; cars, as he called his build vehicles, do the racing shots at around 150mph with cameras rigged front and back. Mantle would then bring in the more realistic cars for the ground cameras and helicopter to shoot. His small locked-in cameras he then used for closeups and other reasons. As for the controllable cameras, which he rigged on <a href=\"https:\/\/www.premiumbeat.com\/blog\/awesome-cinematography-dramatic-slider-moves\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">sliders<\/a>, he was out on the track itself.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">He would be strapped into an action car and try to make action moves at speed while looking at the vehicle in the situation. Mantle mainly shot on the <a href=\"https:\/\/www.premiumbeat.com\/blog\/meet-the-new-arri-alexa-35\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">ARRI<\/a> cameras in RAW, but those smaller <a href=\"https:\/\/www.indiecam.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Indiecam<\/a> (POV) cameras were limited to a 2K resolution. As they were the only way to capture the in-car footage, they would be blended in later as part of the grade.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"400\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2022\/07\/rush02.jpg\" alt=\"Rush Slider Camera - Three Sports Movies that Changed the POV Rules\" class=\"wp-image-171235\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/rush02.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/rush02.jpg?resize=300,159 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/rush02.jpg?resize=277,147 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/rush02.jpg?resize=359,190 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/rush02.jpg?resize=543,288 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/rush02.jpg?resize=560,297 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/rush02.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><figcaption><em>A locked Indiecam on the side of James Hunt&#8217;s car. Image courtesy of <a href=\"https:\/\/www.indiecam.com\/shot-on-indiecam\/rush\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">www.indiecam.com<\/a><\/em>.<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">There are plenty of examples of motorsport in the movies. Recall <a href=\"https:\/\/en.wikipedia.org\/wiki\/Fast_%26_Furious\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\"><em>The Fast and Furious<\/em><\/a> franchise, <a href=\"https:\/\/www.imdb.com\/title\/tt1950186\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\"><em>Ford versus Ferrari<\/em><\/a>,<em> <a href=\"https:\/\/www.imdb.com\/title\/tt0811080\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Speed Racer<\/a><\/em>, and <a href=\"https:\/\/www.imdb.com\/title\/tt2369135\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\"><em>Need for Speed<\/em><\/a>. All had their own ideas about how to capture the speed and the thrills. However, Dod Mantle only referenced one film while in pre-production for <em>Rush<\/em>, and that was 1966&#8217;s <a href=\"https:\/\/www.imdb.com\/title\/tt0060472\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\"><em>Grand Prix<\/em>.<\/a> <\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There were considerable differences in those days of production. For instance, movie stars drove cars rigged with huge film cameras. &#8220;For many years, that film has been seen as one of the milestones,&#8221; says Dod Mantle, but he realized that because of current health and safety regulations, he could never better it. &#8220;What the director <a href=\"https:\/\/www.imdb.com\/name\/nm0001239\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">John Frankenheimer<\/a> did was incredible, but you can&#8217;t do that anymore.&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/7HA71tYl640?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 id=\"hustle\" class=\"wp-block-heading\">Hustle<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">PremiumBeat&#8217;s Daniel Cooper has written about <a href=\"https:\/\/www.premiumbeat.com\/blog\/best-basketball-sports-genre-films\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">basketball movies<\/a> as a genre. However, I wanted to look at one recent movie which pushed farther than most to get us closer to the action, Netflix&#8217;s <a href=\"https:\/\/www.netflix.com\/title\/80242342\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\"><em>Hustle<\/em><\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Director <a href=\"https:\/\/www.imdb.com\/name\/nm1476102\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Jeremiah Zagar<\/a> was initially unsure of taking on this movie, but star and producer <a href=\"https:\/\/www.imdb.com\/name\/nm0001191\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Adam Sandler<\/a> eventually persuaded him. Zagar was used to making provocative coming-of-age dramas and couldn&#8217;t find such undercurrents in <em>Hustle<\/em> until he looked at a different way to shoot it.<\/p>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OLiPIX4vZpU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">&#8220;You usually film basketball from the outside in, in the way you would watch it on TV,&#8221; Zagar commented, with the obvious conclusion being that he was going for inside out, so actually from the court. He compared his idea to boxing movies, usually shot inside the ring.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"400\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2022\/07\/hustle1.jpg\" alt=\"\" class=\"wp-image-171266\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle1.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle1.jpg?resize=300,159 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle1.jpg?resize=277,147 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle1.jpg?resize=359,190 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle1.jpg?resize=543,288 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle1.jpg?resize=560,297 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle1.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><figcaption>Actors Adam Sandler and Juancho Hernangomez in Netflix&#8217;s Hustle. Image courtesy Netflix<\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Raging Bull<\/em> particularly moved Zagar by the way Scorcese shot it. &#8220;It&#8217;s fighting is stylistically different. <em>Raging Bull<\/em> had four fights, all of which were shot differently\u2014we had four games in <em>Hustle<\/em> and wanted to do the same.&#8221;<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 id=\"keeping-it-close\" class=\"wp-block-heading\">Keeping it Close<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">To ramp up the differences, Zagar and his cinematographer <a href=\"https:\/\/www.imdb.com\/name\/nm5160919\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Zak Mulligan<\/a> built arms stretched out from the player&#8217;s stomachs. The camera rested on the ends so the operator could move with the actors. For their POV shots, they used tiny remote cars, the Tero from <a href=\"https:\/\/freeflysystems.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Freefly<\/a>, with <a href=\"https:\/\/freeflysystems.com\/movi-pro\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">MoVI<\/a> gimbaled cameras on board to drive through players&#8217; legs from a knee perspective. They also shot from underneath Plexiglass floors and put cameras in balls. &#8220;We were trying to figure out different and fun ways to shoot the games.&#8221;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"400\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2022\/07\/hustle2.jpg\" alt=\"How do you replicate the excitement and immersion of sport in movies? We look at some films that have successfully placed the audience in the midst of the action using POV camera techniques.\" class=\"wp-image-171267\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle2.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle2.jpg?resize=300,159 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle2.jpg?resize=277,147 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle2.jpg?resize=359,190 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle2.jpg?resize=543,288 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle2.jpg?resize=560,297 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/hustle2.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><figcaption><em>Freefly&#8217;s Tero robotic vehicle was used for some low-down court shots. Image courtesy Freefly.<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The main camera was the <a href=\"https:\/\/www.premiumbeat.com\/blog\/sony-announces-venice-2\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Sony Venice 6K<\/a>. Zagar and Mulligan also used the Rialto, which is a sensor block-only remote camera with all the processing cabled to somewhere else, usually a camera assistant&#8217;s backpack to get very close to the play. During games they used a long lens on Adam Sandler&#8217;s character to emphasize the close focus tricks happening on the court.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 id=\"free-solo\" class=\"wp-block-heading\">Free Solo<\/h3>\n\n\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/urRVZ4SW7WU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span>\n<\/div><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Before mountaineer Alex Honnold <a href=\"https:\/\/www.premiumbeat.com\/blog\/vr-filmmaking-future-of-storytelling\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">was a VR star<\/a>, he was an Oscar winner for his documentary film <a href=\"https:\/\/films.nationalgeographic.com\/free-solo\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\"><em>Free Solo<\/em><\/a>. This isn&#8217;t a narrative tale, but an eyewitness doc about how Honnold climbed the rock face El Capitan without ropes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Even though <em>Free Solo<\/em> is a documentary, cinematographer <a href=\"https:\/\/jimmychin.com\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"external\">Jimmy Chin<\/a> wanted to give it a <a href=\"https:\/\/www.premiumbeat.com\/blog\/3-ways-modify-lighting-cinematic-look\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">cinematic look<\/a>. This meant bigger 4K cameras and lenses and not small mirrorless or DSLR models, and no GoPros. This in itself was a considerable rigging challenge.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"755\" height=\"400\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2022\/07\/solo2-1.jpg\" alt=\"Free Solo - Three Sports Movies that Changed the POV Rules\" class=\"wp-image-171328\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/solo2-1.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/solo2-1.jpg?resize=300,159 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/solo2-1.jpg?resize=277,147 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/solo2-1.jpg?resize=359,190 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/solo2-1.jpg?resize=543,288 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/solo2-1.jpg?resize=560,297 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2022\/07\/solo2-1.jpg?resize=150,79 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><figcaption><em>The remarkable Alex Honnold in <\/em>Free Solo<em> climbs El Capitan without ropes. Image National Geographic.<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The camera crew for the film had to be specialized, but thankfully such people are well-known in the small world of high-end mountaineering. For <em>Free Solo<\/em>, it included Jimmy himself alongside cinematographers Mikey Schaefer and Clair Popkin.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">There were some hard-and-fast rules for <em>Free Solo<\/em>. The main one was that there weren&#8217;t to be any retakes, for obvious reasons. They had cameras with the crew but also on the ground with zooms and some remote cameras already set up on the route. This shot-by-shot basis pretty much made sure that all shots made the final cut.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<h3 id=\"zooms-and-close-ups\" class=\"wp-block-heading\">Zooms and Close-ups<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Jimmy was directing but also filming on his Canon EOS-1Dx. He handheld the camera for photo and video shooting as when you&#8217;re up there, you don&#8217;t need the extra weight of accessories. Just food for the day&#8217;s shooting, spare batteries, and suitable clothing if the weather changes.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">They also couldn&#8217;t use drones as Yosemite had a rule against their use. Equally, they didn&#8217;t want the drone buzz bothering Alex as he climbed. Having said that, there was a helicopter shooting with a <a href=\"https:\/\/www.premiumbeat.com\/blog\/how-to-get-red-quality-footage-under-500-dollars\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">RED Epic<\/a> Dragon 6k with a Canon 50-1000mm. They also used a Canon C300 MkII with primes for closer shooting.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Although he concentrated on getting the look of <em>Free Solo<\/em> as cinematic as possible, Chin admitted to one GoPro shot. Getting the bigger cameras up on the face paid off eventually when he collected the Oscar in 2019.<\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Cover image via <\/em>Rush<em>.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">For more cinematography articles and inspiration visit the links below:<\/p>\n\n\n\n<ul class=\"wp-block-list\"><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/youtubers-for-creative-cinematography-inspiration\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">5 YouTubers to Follow for Creative Cinematography<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/filmmaking-trends-shallow-focus-cinematography\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Filmmaking Trends: Why Shallow Focus Cinematography Is Here to Stay<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/underwater-cinematography-action-cam-vs-underwater-rig\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Underwater Cinematography: Action Cam or Underwater Camera Rig?<\/a><\/li><li><a href=\"https:\/\/www.premiumbeat.com\/blog\/iconic-cinematography-reed-morano\/\" target=\"_blank\" rel=\"noreferrer noopener\" data-wpel-link=\"internal\">Iconic Cinematography: Our 5 Favorite Shots from Reed Morano<\/a><\/li><\/ul>\n","protected":false},"excerpt":{"rendered":"<p>How do you replicate the excitement and immersion of sport in movies? 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