{"id":173490,"date":"2022-09-08T10:54:00","date_gmt":"2022-09-08T15:54:00","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=173490"},"modified":"2022-09-08T11:32:51","modified_gmt":"2022-09-08T16:32:51","slug":"how-virtual-production-is-evolving","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/how-virtual-production-is-evolving\/","title":{"rendered":"How Virtual Production is Evolving"},"content":{"rendered":"\n

As new players and tech developments enter the field, let’s explore what the future will hold for virtual production.<\/h2>\n\n\n\n

Although virtual production<\/a> is an umbrella description of a new type of production technology, it is becoming a permanent label for the “volume.” A volume is a bank of high-resolution screens that work with camera tracking and game engine. Volumes conjure up the 21st century’s version of a backdrop.<\/p>\n\n\n\n

But what is the latest? Or perhaps the more interesting question would be, who is the latest user?<\/em><\/p>\n\n\n\n

Well, you might have thought that Marvel was already all over this shiny new tech, but the latest Thor movie, Love and Thunder<\/em>, was their first time savoring the volume.<\/p>\n\n\n\n

By all accounts, they loved the experience. Actors Chris Hemsworth, who also Exec Produced the film, and Tessa Thompson, who plays Valkyrie in the series, loved the real time-ness that volumes bring in contrast to the days of blue and green screens.<\/p>\n\n\n\n

“The Volume makes it easier because you don’t have to imagine what you’re seeing,” Thompson said.<\/p>\n\n\n\n

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