{"id":25688,"date":"2013-06-27T11:41:21","date_gmt":"2013-06-27T15:41:21","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=25688"},"modified":"2016-09-13T15:16:47","modified_gmt":"2016-09-13T20:16:47","slug":"video-editing-additive-vs-subtractive-color-correction","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/video-editing-additive-vs-subtractive-color-correction\/","title":{"rendered":"Video Editing: Additive vs. Subtractive Color Correction"},"content":{"rendered":"<h2 id=\"not-all-3-way-color-correctors-are-created-equal-use-a-subtractive-3-way-color-corrector-instead-of-an-additive-one-for-better-results\">Not all 3-way color correctors are created equal. Use a subtractive 3-way color corrector instead of an additive one for better results.<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-25707\" title=\"Video Editing Color Correction\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/color-correction2.jpg\" alt=\"Video Editing Color Correction\" width=\"490\" height=\"50\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2013\/06\/color-correction2.jpg 490w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2013\/06\/color-correction2.jpg?resize=300,31 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2013\/06\/color-correction2.jpg?resize=277,28 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2013\/06\/color-correction2.jpg?resize=359,37 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2013\/06\/color-correction2.jpg?resize=150,15 150w\" sizes=\"auto, (max-width: 490px) 100vw, 490px\" \/><\/p>\n<p>Just like there are two types of <a href=\"http:\/\/en.wikipedia.org\/wiki\/Subtractive_color\" data-wpel-link=\"external\" target=\"_blank\">color<\/a> <a href=\"http:\/\/en.wikipedia.org\/wiki\/Subtractive_color\" data-wpel-link=\"external\" target=\"_blank\">theory<\/a>, there are two types of color correctors: <strong>additive<\/strong> and <strong>subtractive<\/strong>. Both old-school Final Cut Pro 7 and Premiere Pro (even the most current version) ship with additive 3-way color correctors built in. The problem is that additive color correctors don\u2019t really give great results very easily. As a matter of fact, they can really be junk when it comes to making great looks in your video editing projects <em>without a ton<\/em> of effort.<\/p>\n<h3 id=\"additive-color-correction\">Additive Color Correction<\/h3>\n<p>Look at the very simple adjustment below. First is the original and its RGB parade:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25695\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/Before-300x167.jpg\" alt=\"Before\" width=\"300\" height=\"167\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25696\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/Before-Parade-300x222.jpg\" alt=\"Before Parade\" width=\"300\" height=\"222\" \/><\/p>\n<p>When you add a little bit of blue into the shadows, look how the image and the RGB parade respond:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25689\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/3Way-1-300x167.jpg\" alt=\"Image with additive blue in shadows\" width=\"300\" height=\"167\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25691\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/3Way-1-Parade-300x223.jpg\" alt=\"Parade with additive blue in shadows\" width=\"300\" height=\"223\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25690\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/3Way-1-Effect-300x141.jpg\" alt=\"Effect with additive blue in shadows\" width=\"300\" height=\"141\" \/><\/p>\n<p>You\u2019ll notice that <strong>the blue channel has been lifted<\/strong> \u2013 blue has been <strong>added<\/strong> into the image (look at the hair closely). The shadows on the image look pretty terrible, don\u2019t they? The addition of blue has also lifted the black point of the image.<\/p>\n<p>Here\u2019s a more extreme example for you you compare to the original image and parade:<\/p>\n<p><a href=\"http:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/3Way-2.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25692\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/3Way-2-300x167.jpg\" alt=\"Image with more additive blue in shadows\" width=\"300\" height=\"167\" \/><\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25694\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/3Way-2-Parade-300x222.jpg\" alt=\"Parade with more additive blue in shadows\" width=\"300\" height=\"222\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25693\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/3Way-2-Effect-300x144.jpg\" alt=\"Effect with more additive blue in shadows\" width=\"300\" height=\"144\" \/><\/p>\n<p>Nasty stuff. Yes, you can make adjustments to the other controls to make it look a <em>little<\/em> better, but it takes a lot of work with minimal results.<\/p>\n<h3 id=\"subtractive-color-correction\">Subtractive Color Correction<\/h3>\n<p>Now look at how a subtractive color corrector works. In this case, I used <a href=\"http:\/\/www.redgiant.com\/products\/all\/magic-bullet-colorista-free\/\" target=\"_blank\" data-wpel-link=\"external\">Colorista Free<\/a> by Red Giant Software. It\u2019s a <em>great<\/em> color corrector, FREE, works on a ton of platforms, translates to After Effects, and it\u2019s pretty much my default NLE color corrector when I don\u2019t want to go into a full-fledged grading program.<\/p>\n<p>We\u2019ll add a little bit of blue into the shadows like before:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25697\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/Colorista-1-300x168.jpg\" alt=\"Image with subtractive blue in the shadows\" width=\"300\" height=\"168\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25699\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/Colorista-1-Parade-300x217.jpg\" alt=\"Parade with subtractive blue in the shadows\" width=\"300\" height=\"217\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25698\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/Colorista-1-Effect-300x179.jpg\" alt=\"Effect with subtractive blue in the shadows\" width=\"300\" height=\"179\" \/><\/p>\n<p>Notice how much more pleasing the results are compared to the additive corrector. Also notice that the blue channel in the parade pretty much stayed the same, and the <strong>other channels went <em>down<\/em><\/strong>. That\u2019s how a <strong>subtractive color corrector<\/strong> works: instead of adding the color you want into the shot, it <strong>takes away<\/strong> the opposite color (or really amount of the red, green, and blue that make up the opposite color).<\/p>\n<p>Here\u2019s an even more extreme example with Colorsita. Yes, the shot starts to get a little dark, but you still have a <strong>real black point<\/strong>, so you can just lift the shadows a bit to correct while keeping the pleasing look:<\/p>\n<p><a href=\"http:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/Colorista-2.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25700\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/Colorista-2-300x168.jpg\" alt=\"Image with more subtractive blue in the shadows\" width=\"300\" height=\"168\" \/><\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25702\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/Colorista-2-Parade-300x220.jpg\" alt=\"Parade with more subtractive blue in the shadows\" width=\"300\" height=\"220\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-medium wp-image-25701\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2013\/06\/Colorista-2-Effect-300x180.jpg\" alt=\"Effect with more subtractive blue in the shadows\" width=\"300\" height=\"180\" \/><\/p>\n<p>If you have a choice, you\u2019ll find <strong>subtractive color correctors<\/strong> much more pleasant to use with better results in less time. It\u2019s a no brainer when getting fast grading results in your video editing projects!<\/p>\n<p>What kind of color correction filter do you use?<br \/>\n<strong>Share your thoughts and advice in the comments below!\u00a0<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Get effective color grading results by using a subtractive color corrector, instead of the additive color correction filter that comes with your video editing software. In this \u2026<\/p>\n","protected":false},"author":17,"featured_media":25710,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5339,714,21,39],"tags":[177,178,120,597,42,5377,51,43,5376],"class_list":["post-class-post-25688","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-color-grading","post-class-category-premiere-2","post-class-category-tutorials","post-class-category-video-editing","post-class-tag-adobe","post-class-tag-adobe-premiere-pro","post-class-tag-color-correction","post-class-tag-color-grading-2","post-class-tag-fcp","post-class-tag-final-cut-pro","post-class-tag-post-production","post-class-tag-tips","post-class-tag-video-editing"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Video Editing: Additive vs. Subtractive Color Correction - The Beat: A Blog by PremiumBeat<\/title>\n<meta name=\"description\" content=\"Get effective color grading results by using a subtractive color corrector, instead of the additive color correction filter that comes with your video editing software. 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