{"id":34259,"date":"2014-02-17T13:51:24","date_gmt":"2014-02-17T18:51:24","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=34259"},"modified":"2014-02-17T13:51:24","modified_gmt":"2014-02-17T18:51:24","slug":"using-32-bit-color-in-after-effects-for-creative-effect","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/using-32-bit-color-in-after-effects-for-creative-effect\/","title":{"rendered":"Using 32-Bit Color in After Effects for Creative Effect"},"content":{"rendered":"<h2 id=\"switching-to-32-bit-mode-in-after-effects-is-great-for-color-grading-and-smoothing-out-color-banding-but-it-also-allows-for-some-cool-color-effects-with-brighter-than-white-images\">Switching to 32-bit mode in After Effects is great for color grading and smoothing out color banding, but it also allows for some cool color effects with \u201cbrighter than white\u201d images.<\/h2>\n<p>I\u2019ve written before about the difference between <a href=\"http:\/\/www.premiumbeat.com\/blog\/8-bit-color-vs-32-bit-color-in-video-color-grading\/\" data-wpel-link=\"internal\">8 bit and 32 bit color in After Effects<\/a>, specifically in color grading. But 32 bit color is great for more than just utilitarian uses like bringing back color information or smoothing out color banding. In 32-bit mode you can actually set colors \u201c<strong>brighter than white<\/strong>\u201d, allowing for awesome creative effects.<\/p>\n<p>One of my favorite ways to use this is to emulate cool super-white orange colors. First, you <strong>set After Effects to<\/strong> <strong>use 32-bit mode<\/strong> by option-clicking where it says \u201c8 bit\u201d at the bottom of the project panel. Then add some text. Open up the color picker for the text and set the <strong>RGB values to 5, 3, 2<\/strong>:<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/SuperWhite.png\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-34279\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/SuperWhite.png\" alt=\"SuperWhite\" width=\"358\" height=\"216\" \/><\/a><\/p>\n<p>The color will show up as white in the swatch, but as orange on the HSL picker. The way this works is that a value of \u201c1\u201d in every channel makes a solid white. By setting the channels to numbers greater than white, you\u2019re telling After Effects to use a color, but one thats <strong>so bright<\/strong> it shows up a white.<\/p>\n<p>In the comp window you won\u2019t see much, just some white text. But try this: keyframe a move on the text, and set <strong>motion blur<\/strong> to on. You can see the results pretty immediately and it looks pretty cool (note, the \u201c.gif\u201d-ification dulls the colors a little, so definitely try this out on our own to see the full vibrancy):<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/32bit-Fire-Text-Motion-Blur.gif\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-34292\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/32bit-Fire-Text-Motion-Blur.gif\" alt=\"32bit-Fire-Text-Motion-Blur\" width=\"512\" height=\"288\" \/><\/a><\/p>\n<p>Here\u2019s that same move, but stepping through one frame at a time so you can see what the <strong>brighter-than-white color<\/strong> is doing:<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/32bit-Fire-Text-Motion-Blur-Slow.gif\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-34291\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/32bit-Fire-Text-Motion-Blur-Slow.gif\" alt=\"32bit-Fire-Text-Motion-Blur-Slow\" width=\"512\" height=\"288\" \/><\/a><\/p>\n<p>Now compare this to the exact same move with a\u00a0<strong>glow<\/strong>\u00a0<strong>effect<\/strong>, but in 8-bit mode. There\u2019s really not a good way to balance it. Either the glow is <strong>too soft<\/strong> on the motion blur or <strong>too heavy<\/strong> on the static text:<\/p>\n<p><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Glow-Settings.png\" data-wpel-link=\"external\" target=\"_blank\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-34270\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Glow-Settings.png\" alt=\"Glow Settings\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/8bit-Fire-Text-Motion-Blur.gif\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-34288\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/8bit-Fire-Text-Motion-Blur.gif\" alt=\"8bit-Fire-Text-Motion-Blur\" width=\"512\" height=\"288\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/8bit-Fire-Text-Motion-Blur-Slow.gif\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-34287\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/8bit-Fire-Text-Motion-Blur-Slow.gif\" alt=\"8bit-Fire-Text-Motion-Blur-Slow\" width=\"512\" height=\"288\" \/><\/a><\/p>\n<p>Now let\u2019s compare the 32-bit mode again to 8-bit mode, but with a \u00a0a glow. Try adding a blur to the text and bringing it into focus. I used the <strong>Camera Lens Blur<\/strong>, but they\u2019ll all do pretty much the same thing to the colors. The result is <em>really<\/em>\u00a0cool:<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/32bit-Fire-Text-Blur.gif\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-34290\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/32bit-Fire-Text-Blur.gif\" alt=\"32bit-Fire-Text-Blur\" width=\"512\" height=\"288\" \/><\/a><\/p>\n<p>Here\u2019s the 8-bit mode with a glow. You just don\u2019t get that <strong>complex blend<\/strong> at the <strong>bright white center<\/strong>:<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/8bit-Fire-Text-Blur.gif\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-34286\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/8bit-Fire-Text-Blur.gif\" alt=\"8bit-Fire-Text-Blur\" width=\"512\" height=\"288\" \/><\/a><\/p>\n<p>That uses a lot of blur, but what about just a little? Let\u2019s make this text smolder.<\/p>\n<p>I\u2019ve added a <strong>Rough Edges<\/strong>\u00a0effect, set the Evolution to move with an expression (time150) and keyframed the Offset (Turbulence) to move upward. Now, the Roughen Edges effect isn\u2019t a 32 bit effect, so it makes the color 1, 1, 1 (plain white). To fix this, you can add a fill\u00a0effect to the text and <strong>reapply the 5, 3, 2 color values<\/strong> after the Roughen Edges effect. Add a light blur (maybe a radius of 6 or so) and you get a pretty cool smoldering text effect:<\/p>\n<p><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Smolder-Effect.png\" data-wpel-link=\"external\" target=\"_blank\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-34274\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Smolder-Effect.png\" alt=\"Smolder Effect\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/32bit-Fire-Text-Smolder.gif\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-34293\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/32bit-Fire-Text-Smolder.gif\" alt=\"32bit-Fire-Text-Smolder\" width=\"512\" height=\"288\" \/><\/a><\/p>\n<p>Here\u2019s the same thing with 8 bit color. Not so good:<\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/8bit-Fire-Text-Smolder.gif\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-34289\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/8bit-Fire-Text-Smolder.gif\" alt=\"8bit-Fire-Text-Smolder\" width=\"512\" height=\"288\" \/><\/a><\/p>\n<p>For one more advanced example of using these settings for cool fire effects, here\u2019s a quick <strong>Trapcode Particular<\/strong> particle system I set up to emulate rising embers. This technique utilizes awesome brighter-than-white color and a custom shutter angle on the particles for extra long motion blur:<\/p>\n<p><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Emitter.png\" data-wpel-link=\"external\" target=\"_blank\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-34269\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Emitter.png\" alt=\"Emitter\" \/><\/a><\/p>\n<p><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Particle.png\" data-wpel-link=\"external\" target=\"_blank\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-34271\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Particle.png\" alt=\"Particle\" \/><\/a><\/p>\n<p><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Physics.png\" data-wpel-link=\"external\" target=\"_blank\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-34272\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Physics.png\" alt=\"Physics\" \/><\/a><\/p>\n<p><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Rendering.png\" data-wpel-link=\"external\" target=\"_blank\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-34273\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/Rendering.png\" alt=\"Rendering\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"http:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/32bit-Sparks.gif\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter  wp-image-34294\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/01\/32bit-Sparks.gif\" alt=\"32bit-Sparks\" width=\"512\" height=\"288\" \/><\/a><\/p>\n<p>Pretty cool, right? And orange is obviously not the only color you can create with bright-than-white effects. Try out a bunch and see how they can add some <strong>cool, unexpected color interactions<\/strong> to your work!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Use the 32-bit color setting in After Effects for more than just color grading. We share a trick for getting brighter than white color using 32-bit and \u2026<\/p>\n","protected":false},"author":17,"featured_media":35889,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[30,21,39],"tags":[2341,649,5375,755,80,467,43,47,31,153,473],"class_list":["post-class-post-34259","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-after-effects","post-class-category-tutorials","post-class-category-video-editing","post-class-tag-32-bit","post-class-tag-adobe-after-effects","post-class-tag-after-effects","post-class-tag-animation","post-class-tag-motion-design","post-class-tag-motion-graphics","post-class-tag-tips","post-class-tag-tricks","post-class-tag-tutorial","post-class-tag-tutorials-2","post-class-tag-visual-effects"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Using 32-Bit Color in After Effects for Creative Effect - The Beat: A Blog by PremiumBeat<\/title>\n<meta name=\"description\" content=\"Use the 32-bit color setting in After Effects for more than just color grading. 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We share a trick for getting brighter than white color using 32-bit and experiment with it to create unique effects!\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.premiumbeat.com\/blog\/using-32-bit-color-in-after-effects-for-creative-effect\/\" \/>\n<meta property=\"og:site_name\" content=\"The Beat: A Blog by PremiumBeat\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/premiumbeat\" \/>\n<meta property=\"article:published_time\" content=\"2014-02-17T18:51:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2014\/02\/32-after-effects.jpg?w=1024\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"1024\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Aaron Williams\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Premiumbeat\" \/>\n<meta name=\"twitter:site\" content=\"@Premiumbeat\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Aaron Williams\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/using-32-bit-color-in-after-effects-for-creative-effect\/\",\"url\":\"https:\/\/www.premiumbeat.com\/blog\/using-32-bit-color-in-after-effects-for-creative-effect\/\",\"name\":\"Using 32-Bit Color in After Effects for Creative Effect - The Beat: A Blog by PremiumBeat\",\"isPartOf\":{\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#website\"},\"datePublished\":\"2014-02-17T18:51:24+00:00\",\"dateModified\":\"2014-02-17T18:51:24+00:00\",\"author\":{\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#\/schema\/person\/d7f2739127a742b8450676a5439d331a\"},\"description\":\"Use the 32-bit color setting in After Effects for more than just color grading. 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