{"id":38909,"date":"2014-04-09T12:21:19","date_gmt":"2014-04-09T16:21:19","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=38909"},"modified":"2014-04-09T12:28:46","modified_gmt":"2014-04-09T16:28:46","slug":"nab-2014-kinemini-test-footage","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/nab-2014-kinemini-test-footage\/","title":{"rendered":"NAB 2014: KineMINI 4K Test Footage"},"content":{"rendered":"

Test footage from the KineMINI at NAB 2014 is really impressive.<\/h2>\n

If you follow camera news than you probably already know about the KineMINI<\/a><\/strong> by Kinefinity. The Chinese brand surprised the filmmaking world just over a month ago by offering a 4K\/100fps<\/strong> camera for under $4,000 dollars<\/strong>. Upon hearing this news we intially thought the news was too good to be true, but recent test footage has us thinking that the KineMINI might be a real contender in the filmmaking world.<\/p>\n

The KineMINI<\/h2>\n

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The KineMINI features a lot of really high-end and desirable features that make it a stunning camera for a ‘low-ish’ price tag. These features include:<\/p>\n

    \n
  • In-camera 4K recording<\/strong><\/li>\n
  • Up to 100fps frame-rate<\/strong><\/li>\n
  • Cineform RAW capabilities<\/strong><\/li>\n
  • A super 35 sized CMOS sensor<\/strong><\/li>\n
  • New lock-type EF mount<\/strong><\/li>\n
  • Sport Mode to reduce rolling shutter<\/strong><\/li>\n
  • 3D LUT’s<\/strong><\/li>\n
  • A super 16 mode<\/strong><\/li>\n<\/ul>\n

    On top of all these great features the KineMINI is incredibly light and compact. The following is some test footage shot on the KineMINI by\u00a0MJIT Berlin<\/a>:<\/p>\n