{"id":41995,"date":"2014-06-16T17:14:04","date_gmt":"2014-06-16T21:14:04","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=41995"},"modified":"2014-06-16T17:21:17","modified_gmt":"2014-06-16T21:21:17","slug":"learn-how-to-use-the-arri-amira-and-alexa-xt","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/learn-how-to-use-the-arri-amira-and-alexa-xt\/","title":{"rendered":"Learn How to Use the ARRI Amira and Alexa XT"},"content":{"rendered":"<h2 id=\"learn-how-to-use-arri-amira-and-alexa-xt-with-these-free-masterclasses\">Learn how to use ARRI Amira and Alexa XT with these free masterclasses.<\/h2>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-42030\" style=\"border: none;\" title=\"Arri Amira\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/06\/amira1.jpg\" alt=\"Arri Amira\" width=\"1200\" height=\"637\" \/><\/p>\n<p>If you want to know you way around the ARRI Amira and ARRI Alexa XT then these two hour long lessons from <a title=\"Gunter Noesner\" href=\"https:\/\/www.linkedin.com\/in\/guenternoesner\" target=\"_blank\" data-wpel-link=\"external\">Gunter Noesner<\/a>, will help you understand what&#8217;s so special about it. Skip to 3:45 on the video below to hear Gunter talk through a pre-production model of the <a title=\"Arri Amira\" href=\"http:\/\/www.arri.com\/camera\/amira\" target=\"_blank\" data-wpel-link=\"external\">ARRI Amira<\/a> fresh from NAB. The Amira is essentially a smaller, more compact version of the Alexa, aimed at single shooters and documentary makers.<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/94650936?title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" width=\"500\" height=\"281\"><\/iframe><\/p>\n<p>In this second talk Gunter talks through in greater detail some of the capabilities of the\u00a0<a title=\"Alexa XT\" href=\"http:\/\/www.arri.com\/camera\/alexa\/cameras\/camera_details\/alexa-xt\/\" target=\"_blank\" data-wpel-link=\"external\">ALEXA XT<\/a> (Xtended Technology). He highlights some key improvements to the classic ALEXA including &#8220;<em>in-camera ARRIRAW recording, internal ND filtration, switchable 16:9 \/ 4:3 Super 35 sensor and ARRI RAW download options.<\/em>&#8221;<\/p>\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/82301267?title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" width=\"500\" height=\"281\"><\/iframe><\/p>\n<h2 id=\"arri-alexa-4k-anamorphic-workflow\">ARRI Alexa 4K Anamorphic Workflow<\/h2>\n<p><iframe loading=\"lazy\" src=\"\/\/player.vimeo.com\/video\/96252497?title=0&amp;byline=0&amp;portrait=0\" frameborder=\"0\" width=\"500\" height=\"281\"><\/iframe><\/p>\n<p>In this 20 minute lecture from NAB, workflow guru Michael Cioni, CEO of <a title=\"Light Iron Digital\" href=\"http:\/\/www.lightiron.com\/\" target=\"_blank\" data-wpel-link=\"external\">Light Iron Digital<\/a>, shares his insights on <strong>making the most of Arri Alexa&#8217;s 3K imaging and\u00a0maximizing\u00a0it for a 4K world<\/strong>. Although 99% of cinema is finished in 2K, Michael believes that it is becoming increasingly important for content creators &#8211; distributing in and outside of the cinema &#8211; to be shot in as high fidelity as possible, due to new opportunities in online distribution. At about 12 minutes in, Michael <strong>shares the details of his 3K digital anamorphic DI workflow based on Alexa XT 4:3 ARRIRAW footage<\/strong>.<\/p>\n<h2 id=\"amira-color-tool-free-download\">Amira Color Tool &#8211; Free Download<\/h2>\n<p><iframe loading=\"lazy\" src=\"\/\/www.youtube.com\/embed\/IobMcIhIlIc?rel=0\" frameborder=\"0\" width=\"480\" height=\"270\"><\/iframe><\/p>\n<p><a title=\"Download Amira Colour Tool\" href=\"http:\/\/www.arri.com\/camera\/amira\/learn\/amira_color_tool\" target=\"_blank\" data-wpel-link=\"external\">The Amira Color Tool<\/a>, a <strong>free download from ARRI<\/strong> currently in beta testing, let&#8217;s you<strong> create, extract and organize in-camera Look files<\/strong>. You can also <strong>create 3D LUTs to be used elsewhere in your post production pipeline<\/strong>. The short introduction video above takes you through the essential features of look creation and color processing chain. ARRI also provide <a title=\"Free download of sample looks\" href=\"http:\/\/www.arri.com\/camera\/amira\/learn\/amira_color_tool\" target=\"_blank\" data-wpel-link=\"external\">a free download <\/a>of some <strong>demo sample Looks<\/strong>.<\/p>\n<p>If you don&#8217;t own an ARRI Amira camera <strong>why should you download this free tool?<\/strong> Well,\u00a0<a title=\"Using the Amira Colour Tool in Your NLE\" href=\"http:\/\/digitalfilms.wordpress.com\/2014\/06\/07\/amira-color-tool-and-your-nle\/\" target=\"_blank\" data-wpel-link=\"external\">post production writer Oliver Peter&#8217;s has a great blog post<\/a> on how editors, DITs and colorists might want to take advantage of the new tool to <strong>create looks saved as 3D LUTs that can be applied to Log footage in your NLE<\/strong>.\u00a0In this case Oliver has <strong>tested it with FCPX and Avid Media Composer 8<\/strong>, which played back Log-C footage from a variety of cameras, in real time with custom looks applied.<\/p>\n<blockquote><p><em>The Amira Color Tool is Mac-only and opens both QuickTime and DPX files from the clips I tested. It worked successfully with clips shot on an Alexa (log-C), Blackmagic Cinema Camera (BMD Film profile), Sony F-3 (S-log) and Canon 1DC (4K Canon-log). Remember that the software is designed to correct flat, log-C images, so you probably don\u2019t want to use this with images that were already encoded with vibrant Rec709 colors.<\/em><\/p><\/blockquote>\n<p style=\"text-align: center;\"><a href=\"http:\/\/www.arri.com\/camera\/amira\/learn\/amira_color_tool\" data-wpel-link=\"external\" target=\"_blank\"><em><\/em><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-42001 aligncenter\" title=\"Using the Amira Colour tool in Avid and FCPX\" src=\"https:\/\/s3.amazonaws.com\/pbblogassets\/uploads\/2014\/06\/amira-color-tool.jpg\" alt=\"Using the Amira Colour tool in Avid and FCPX\" width=\"504\" height=\"315\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Learn how to use ARRI Amira and Alexa XT with these free masterclasses.<\/p>\n","protected":false},"author":15,"featured_media":42039,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[78,39,92],"tags":[2932,2931,2173,2933,2928,2630,2930,2059,2929],"class_list":["post-class-post-41995","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-roundups","post-class-category-video-editing","post-class-category-video-tutorials-2","post-class-tag-2k","post-class-tag-3k","post-class-tag-4k","post-class-tag-anamorphic-digital-intermediate","post-class-tag-arri-alexa-at","post-class-tag-arri-amira","post-class-tag-arri-workflow","post-class-tag-arriraw","post-class-tag-cioni"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v27.7) - 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