Over time, camera manufacturers started to recognize the fact that their customers were demanding higher frame rates (for slow motion usage), and we are finally starting to see a critical mass of cameras offering that ability. The GH4<\/a> can shoot at up to 96fps (as mentioned above), the Canon C100 Mark II<\/a> does full 1080\/60p (although they\u2019re a bit late to the game), and the camera that many of us have right in our pockets – the iPhone 6 – can shoot at up to 240fps<\/strong>!<\/p>\n Image from Vision Research<\/a><\/p>\n For the most part, this is great news – the more tools that we have access to as filmmakers, the better. That said, the fact that many of us have been deprived of high frame rates for so long is starting to create an overuse of slow motion content, much like we saw with the overdone shallow depth of field<\/strong> that was occurring when the 5D MK II<\/strong> first came out.<\/p>\n There are plenty of slow motion tips and tricks out there – for instance, this<\/a> great article from Shutterstock<\/a> and this<\/a> in-depth collection of insight from Gizmodo<\/a>. The following video from The Slanted Lens <\/a>is very informative, too.<\/p>\n![\"Slow](\"https:\/\/pbblogassets.s3.amazonaws.com\/uploads\/2014\/11\/Phantom.jpg\" "\\"Slow")
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