{"id":55019,"date":"2015-04-15T09:08:08","date_gmt":"2015-04-15T14:08:08","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=55019"},"modified":"2015-04-15T12:44:55","modified_gmt":"2015-04-15T17:44:55","slug":"panasonic-unveils-the-dvx200-a-pro-all-in-one-camcorder","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/panasonic-unveils-the-dvx200-a-pro-all-in-one-camcorder\/","title":{"rendered":"Panasonic Unveils the DVX200: A Pro All-In-One Camcorder"},"content":{"rendered":"

Panasonic’s professional grade DVX200 camcorder offers high-res and high-fps.<\/h2>\n

Last year, Panasonic made a huge splash with their announcement of the wildly popular GH4<\/a>. This year they’ve decided to release a camera that’s significantly different, but nonetheless important \u2014 the AG-DVX200 4K.<\/p>\n

The AG-DVX200 4K<\/h3>\n

The AG-DVX200 4K<\/strong> (commonly known as the\u00a0DVX200<\/strong>) is an all-in-one camcorder designed with professionals in mind. The camera has a ton\u00a0of great\u00a0features that modern filmmakers and videographers will appreciate. Most notably, the camera is able to record\u00a0in native 4K <\/strong>and UHD<\/strong>. While you can only record in 24p in 4K, when you are shooting in UHD you can record up to 60p in MP4 or MOV<\/strong> file formats.<\/p>\n

\"AG-DVX200
\n<\/a>Photo via News Shooter<\/a><\/em><\/p>\n

The DVX200<\/strong> uses a 4\/3″ MOS sensor to record up to 120fps in FHD<\/strong>. Instead of having interchangeable lenses, the camera has a Leica zoom lens which shoots in 28mm-365mm, 35 equivalent focal length. The lens features an aperture of f\/2.8-f\/4.5<\/strong>.<\/p>\n

The camera has all the major features you’ve come to love about the DVX100, like adjustable zoom rings, internal ND filters, and manual iris control. However, the DVX200 has enhanced\u00a0stabilization in the form of a 5-axis built-in stabilizer that has a “4x correction-area Image Stabilizer.” This technology is very similar to that found in the a7II. On the front of the camera lens, users will be able to attach lens filters via 72mm groove rings<\/strong>.<\/p>\n

 <\/p>\n

While style points don’t really matter when it comes to the final image, it should be noted that the camera looks incredibly awesome. With a carbon-fiber finish<\/strong> and red metallic details, the camera looks awesomely impressive.<\/p>\n

AG-DVX200 4K Specs<\/h3>\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0 Sensor<\/strong><\/td>\n\u00a0 4\/3″ Large-Format MOS<\/td>\n<\/tr>\n
\u00a0 Resolution<\/strong><\/td>\n\u00a0 Up to 4K (4096×2160)<\/td>\n<\/tr>\n
\u00a0 Frame Rate<\/strong><\/td>\n\u00a0 24 at 4K, Up to 60 at UHD\/HD<\/td>\n<\/tr>\n
\u00a0 Compression<\/strong><\/td>\n\u00a0\u00a0MP4 or MOV<\/td>\n<\/tr>\n
\u00a0\u00a0Cards<\/strong><\/td>\n\u00a0\u00a02 SD Card Slots<\/td>\n<\/tr>\n
\u00a0 Audio<\/strong><\/td>\n\u00a0 2-Stereo XLR Inputs<\/td>\n<\/tr>\n
\u00a0 Dynamic Range<\/strong><\/td>\n\u00a0 Up to 12 Stops<\/td>\n<\/tr>\n
\u00a0 Lens Mount<\/strong><\/td>\n\u00a0 Built-in Lens<\/td>\n<\/tr>\n
\u00a0 Monitoring<\/strong><\/td>\n\u00a0 Built-In\u00a0Display<\/td>\n<\/tr>\n
\u00a0 Color<\/strong><\/td>\n\u00a0 Carbon Fiber with Red<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

No test footage has hit the internet yet, but we’re very interested to see how the footage from the DVX-200 looks. Panasonic described the bokeh as “subtle,” which might be another word for saying the depth of field isn’t great, but we’ll see.<\/p>\n

The following video from NAB 2015 reveals a few details\u00a0about the new DVX-200<\/strong>.<\/p>\n