Color grading is an important part of the post-production process. With so many tools at your disposal, particularly those built into NLE systems like\u00a0Avid<\/a>, Premiere<\/a>, and FCPX<\/a>, you can essentially get just about any look you desire.<\/strong><\/p>\n But what if you want to take that color grade to the next level? At this point you’ll probably be looking at standalone software such as Da Vinci Resolve<\/a> or Mistika<\/a>. Unless you’re in the Creative Cloud<\/a>, where you’ll use SpeedGrade.<\/a><\/p>\n With this said, let’s explore SpeedGrade<\/strong> and find out what it takes to capture a quality cinematic look within the software.<\/strong> To help us do just that, we’ll be looking at a great tutorial from The Post Color Blog<\/a>.<\/p>\n