The very best way to get a completely cinematic smooth shot is to use a really expensive dolly setup. <\/strong>Or maybe a 3-Axis gimbal, which isn’t much cheaper. But if you can’t afford one of these options and are using a DSLR, then chances are you’re a skilled action grip, steadicam, or glidecam\u00a0operator.<\/strong><\/p>\n If you’ve ever used one of these tools\u00a0and edited the results in Premiere Pro, then you’ve probably had to use\u00a0warp stabilizer<\/strong> a time or two. You also probably noticed that warp stabilizer<\/strong> doesn’t always give you the smoothest shot. In fact,\u00a0<\/strong>you can encounter more warping<\/strong> after using warp stabilizer<\/strong> than you did before! This issue arises due to tracking data interference during the analyzation process.<\/p>\n So, to help you out, we’ve found a great tutorial to help keep you from pulling your hair out and smooth your shots. Be sure to checkout this blog post<\/a> by Matt Johnson<\/a> from his site WhoIsMatt<\/a>. In this article he shares his settings for warp stabilizer,\u00a0<\/strong>which actually work really well. Now, they don’t always work with every shot, but in those times when they don’t? Use the tutorial below!<\/p>\n