{"id":57474,"date":"2015-06-08T10:00:06","date_gmt":"2015-06-08T15:00:06","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=57474"},"modified":"2015-06-09T15:32:12","modified_gmt":"2015-06-09T20:32:12","slug":"cinematography-tips-for-horror-filmmakers","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/cinematography-tips-for-horror-filmmakers\/","title":{"rendered":"Cinematography Tips For Horror Filmmakers"},"content":{"rendered":"

Horror is a very specific genre that calls for some unique lighting techniques. These five cinematography tips will make just about any horror film more stylized and effective.<\/h2>\n

Horror films are all about tone, texture, and mood<\/strong>. Unlike many other genres that rely more heavily on other elements (dialogue, plot points, etc.), great horror films are all about style. That\u2019s not to imply that a great horror film shouldn\u2019t also have excellent dialogue and a great plot<\/strong>, but rather that those elements often take a back seat to the immersive mood and experience that a great horror film delivers.<\/p>\n

The two most important elements in creating that mood are sound design and cinematography<\/strong>, the latter being what we\u2019re going to focus on here. Unlike lighting a comedy or drama, more rules can often be broken when shooting a horror film, and in many cases that translates to a more effective final product.<\/p>\n

If you plan on shooting some horror material in the future, then this article is for you. The five cinematography tips listed below<\/strong> will serve as some fundamental guidelines that you can follow throughout your time on set:<\/p>\n

1. Shoot Through Things<\/h3>\n

\"Cinematography
\nIn the context of a horror film, this benign scene becomes something more sinister. Image from Shutterstock<\/a><\/em><\/p>\n

Some horror filmmakers are drawn to extreme closeups<\/strong>, but in my opinion doing the exact opposite is far more effective. Rather than always filling up your frame with your actors faces (just because it looks intense), challenge yourself to go wider.<\/p>\n

Imagine a scene where an actor is sitting alone in their kitchen. An extreme closeup on their face may show us some added emotion, but a wide shot taken from outside the house (looking in) could be far more powerful. Not only are you showing the isolation of the character<\/strong>, but you\u2019re also creating a voyeuristic and unsettling feeling by shooting through a pane of glass, which is a technique that can be very effective under the right conditions.<\/p>\n

2. Underexpose<\/h3>\n

\"Cinematography
\nDavid Fincher’s Zodiac. Underexposed and super scary. Image from IMDb<\/a><\/em><\/p>\n

As DPs, we have it drilled in our heads to always expose perfectly. We have more tools than ever (both in camera and otherwise) that enable us to nail our exposure<\/strong>. Though, in some cases, that isn\u2019t what\u2019s going to serve the story most effectively. On a horror film, underexposing can be extremely effective<\/strong> as it\u2019ll leave more areas of the frame in the shadows and create a more mysterious feeling.<\/p>\n

Although you could technically expose normally and just color grade your footage to darken it in post<\/strong>, the end result won\u2019t be quite the same. You want to actually light your scene in a way that feels organically underexposed<\/strong>, and bring that out even more in the grade. Don\u2019t push things too far though, or you won\u2019t be able to bump it back up in post if needed. About a stop of underexposure<\/strong> is all you need to set the tone.<\/p>\n

3. Use Haze<\/h3>\n

\"Cinematography
\nEven the Exorcist is\u00a0made\u00a0scarier by fog. Image from IMDb<\/a><\/em><\/p>\n

Using a tasteful amount of haze (or fog) can add a lot of texture to your scene.<\/strong> This is one of the oldest tricks in the book, but it\u2019s still used on nearly every set (and for good reason). There\u2019s absolutely no substitute for the look and feel that haze can bring to your scene, and it\u2019s especially effective when it comes to the horror genre.<\/p>\n

Use a hazer or fog machine<\/strong> to add just a touch of haze to your scene, and be sure not to go overboard. A little bit of haze will go a long way, and much like underexposing, it can really help to set a unique and mysterious mood to your scenes.<\/strong><\/p>\n

4. Don\u2019t Be Afraid of Colored Gels<\/h3>\n

\"Cinematography
\nBeyond the Black Rainbow. Below the Red Gel. Image from\u00a0IMDb<\/a><\/em><\/p>\n

I almost always avoid using colored gels when shooting, unless I\u2019m using them to correct the color temperature of a light (for example, balancing tungsten to daylight). That said, if I\u2019m ever going to use them, it\u2019s on a horror film, as that\u2019s one of the only genres where I feel they can work exceptionally well.<\/p>\n

Red gels in particular can be really effective for horror<\/strong>, as the color red can inherently make your viewers feel unnerved. Avoid using colored gels in the way that a photographer might (such as on the rim light) and instead use them on your key. Let\u2019s say you\u2019ve got a scene that takes place in a dark hallway of a club. If your key light has a red gel on it, it will bleed over the faces of your actors and create a really stylized look.<\/strong> Again, know when to use this and when not to. If you mix colored gels with regular lighting (or natural light) you may just wind up with a strange looking image.<\/p>\n

5. Find Unique Angles<\/h3>\n

\"Cinematography
\nSome films are horrifying for different reasons. Image from IMDb<\/a><\/em><\/p>\n

The most obvious example of a unique angle that works well for horror is the dutch tilt<\/strong>, though just about any unconventional angle can help play into the vibe of your film. Much like the other tips on this list, you want to use your camera angles to create an unsettling feeling within the viewer<\/strong>, and the best way to do that is to create an image that looks off balance. That\u2019s why the dutch tilt works so well.<\/p>\n

Other examples would be a bird\u2019s eye view or a very low angle shot looking up. Both of these are unique perspectives that we rarely see on film, and can really help to jolt the audience<\/strong> into the headspace of the characters. Always be sure that whatever extreme camera angle you\u2019re going for still suits your scene, as the last thing you want is to stylize a scene or moment in a way that isn\u2019t true to the story.<\/p>\n

Here are a few more thoughts, tips, and tricks from PremiumBeat<\/a> dealing with the subject of cinematography:<\/p>\n