{"id":58110,"date":"2019-03-19T06:00:33","date_gmt":"2019-03-19T11:00:33","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=58110"},"modified":"2019-03-18T15:36:09","modified_gmt":"2019-03-18T20:36:09","slug":"7-iconic-hollywood-cinematography-techniques","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/7-iconic-hollywood-cinematography-techniques\/","title":{"rendered":"7 Master Cinematography Techniques from Iconic Directors"},"content":{"rendered":"<h2 id=\"every-director-has-a-go-to-shot-that-makes-a-scene-unmistakably-their-own-lets-take-a-look-at-7-iconic-cinematography-techniques\">Every director has a go-to shot that makes a scene unmistakably their own. Let&#8217;s take a look at 7 iconic cinematography techniques.<\/h2>\n<p>Great directors make an impact on the history of filmmaking, introducing a style and a technical approach that becomes trademark. <a title=\"Akira Kurosawa IMDb\" href=\"http:\/\/www.imdb.com\/name\/nm0000041\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Akira Kurosawa&#8217;s<\/a> approach to storytelling influenced <a title=\"George Lucas IMDb\" href=\"http:\/\/www.imdb.com\/name\/nm0000184\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">George Lucas<\/a>. <a title=\"Robert Altman IMDb\" href=\"http:\/\/www.imdb.com\/name\/nm0000265\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Robert Altman&#8217;s<\/a> sprawling character sketches inspired <a title=\"Paul thomas Anderson IMDb\" href=\"http:\/\/www.imdb.com\/name\/nm0000759\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Paul Thomas Anderson<\/a>. Yet, every legendary director can take their influences and create something completely new. The purely visual nature of filmmaking is where most filmmakers begin making their mark.<\/p>\n<p>Let&#8217;s look at a handful of iconic cinematography techniques used by the masters of filmmaking.<\/p>\n<hr \/>\n<h3 id=\"the-dolly-zoom\">\u00a0The Dolly Zoom<\/h3>\n<p>Here&#8217;s a straightforward explanation of how the dolly zoom works.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/u5JBlwlnJX0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><em>Unsettling<\/em> is putting it lightly. F<span style=\"color: #252525;\">irst imagined by the Romanian filmmaker Sergiu Huzum (but most famously used in <a title=\"Alfred Hitchcock IMDb\" href=\"http:\/\/www.imdb.com\/name\/nm0000033\/\" data-wpel-link=\"external\" target=\"_blank\">Hitchcock&#8217;s<\/a> <em><a title=\"Vertigo IMDb\" href=\"http:\/\/www.imdb.com\/title\/tt0052357\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Vertigo<\/a><\/em>), the dolly zoom is the go-to shot for conveying paranoia, unease, or horror.\u00a0<\/span><\/p>\n<h4 id=\"pulling-off-the-effect-in-post-production\" class=\"js-clip_title\" style=\"color: #445566;\"><span style=\"color: #000000;\">Pulling off the Effect in Post-Production<\/span><\/h4>\n<p><span style=\"font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\">If you forgot to pull off the effect in-camera, here&#8217;s how you can easily pull it off in post-production.<\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/h1QKFnzISPw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Vashi Nedomansky has created this insightful video roundup featuring various uses of the dolly zoom throughout cinema history.<\/p>\n<p><iframe loading=\"lazy\" title=\"Evolution of the Dolly Zoom\" src=\"https:\/\/player.vimeo.com\/video\/84548119?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<hr \/>\n<h3 id=\"the-low-angle-trunk-shot\">\u00a0The Low-Angle Trunk Shot<\/h3>\n<p><span style=\"color: #252525;\">The\u00a0<\/span>trunk shot<span style=\"color: #252525;\"> is exactly what it sounds like \u2014 a shot from inside the trunk of a car. Of course, it&#8217;s not always easy to fit a camera operator and a full-sized movie camera into the confines of a trunk, so often art departments use fake walls and hatches. I<\/span>t&#8217;s safe to say that <a title=\"Quentin Tarantino IMDb\" href=\"http:\/\/www.imdb.com\/name\/nm0000233\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Quentin Tarantino<\/a> is a great lover of the trunk shot, as we can see in this compilation from <a title=\"Sinara Snake YouTube\" href=\"https:\/\/www.youtube.com\/channel\/UCG9GjpKypxIxHLmBkL4idPA\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Lost Theater<\/a>.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/qRo2QeKuYW8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<h3 id=\"dutch-angle\">Dutch Angle<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ofBDXc749wE?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p><span style=\"color: #252525;\">Simply put, the dutch angle involves tilting the camera to one side. The shot is an effective way to communicate disorientation, desperation, drunkenness, and intensity. Here&#8217;s a fun look at how to use the dutch angle in your next film or documentary.<\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/R9FUEScjB1U?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<h3 id=\"the-close-up-montage\">\u00a0The Close-Up Montage<\/h3>\n<p>If you need to pump up your audience, then you need the quick-cut close-up montage. You know what it is. The &#8220;lock and load&#8221; montage. The &#8220;gearing up&#8221; montage. Here&#8217;s a supercut if you still don&#8217;t know what I&#8217;m talking about.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/dlZ10Dljkrs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>If you&#8217;re curious about how to edit a montage sequence like this, check out our <a href=\"https:\/\/www.youtube.com\/watch?v=rQJp8f3yUE4\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">tutorial<\/a>.<\/p>\n<p>The undeniable master of the quick-cut close-up montage is <a title=\"Edgar Wright IMDb\" href=\"http:\/\/www.imdb.com\/name\/nm0942367\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Edgar Wright<\/a>. In this next video, Wright himself offers up examples of the shot and explains how he pulls them off. (Hint: He films them in reverse.)<\/p>\n<p><iframe loading=\"lazy\" title=\"Edgar Wright and the Art of Close-Ups\" src=\"https:\/\/player.vimeo.com\/video\/85311313?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>And for more . . .<\/p>\n<p><iframe loading=\"lazy\" title=\"David Fincher&#039;s Extreme Close-Ups\" src=\"https:\/\/player.vimeo.com\/video\/152923976?dnt=1&amp;app_id=122963\" width=\"500\" height=\"208\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<hr \/>\n<h3 id=\"the-whip-pan\">\u00a0The Whip Pan<\/h3>\n<p>The whip pan conveys urgency and rhythm. It&#8217;s a fluid shot that is often the fastest way to get from Point A to Point B. <a title=\"Paul Thomas Anderson IMDb\" href=\"http:\/\/www.imdb.com\/name\/nm0000759\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Paul Thomas Anderson<\/a> has the whip pan on lockdown, masterfully using the technique to hide his cuts and maintain pace while ramping up the tension in a scene. For a filmmaker with a ton of ticks up his sleeve, the whip pan is one of Anderson&#8217;s most distinctive calling cards.<\/p>\n<p><iframe loading=\"lazy\" title=\"164. Paul Thomas Anderson - Every Whip Pan\" src=\"https:\/\/player.vimeo.com\/video\/52970914?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>Here&#8217;s <a href=\"https:\/\/www.youtube.com\/channel\/UCXyGw2OkrAzLhq1r7hyDZkA\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">BooneLovesVideo<\/a> with a stellar tutorial on how to pull off the whip-pan in three different ways.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/z7PTc35x-kA?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<h3 id=\"one-point-perspective\">One-Point Perspective<\/h3>\n<p>One-Point Perspective is synonymous with Stanley Kubrick \u2014 and rightfully so. Wes Anderson has carried on the tradition of symmetrical shots, but Kubrick made the technique mainstream. When people use the word &#8220;Kubrickian,&#8221; they mean this . . .<\/p>\n<p><iframe loading=\"lazy\" title=\"Kubrick \/\/ One-Point Perspective\" src=\"https:\/\/player.vimeo.com\/video\/48425421?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>And for a little more . . .<\/p>\n<p><iframe loading=\"lazy\" title=\"Wes Anderson \/\/ Centered\" src=\"https:\/\/player.vimeo.com\/video\/89302848?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>(Side note: Since Kogonada originally published these video essays, he&#8217;s gone on to direct his own feature film, <a href=\"https:\/\/www.imdb.com\/title\/tt5990474\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Columbus<\/em><\/a>. The film is brilliant and often makes use of the techniques that so clearly inspired Kogonada from the start. Here&#8217;s a brief video diving into how and why these inspirations take form.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/86HAHINYfh4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<h3 id=\"long-tracking-shots\">\u00a0Long Tracking Shots<\/h3>\n<p>A subtle technique that can sometimes go unnoticed is the long tracking shot<strong>.<\/strong> One of (if not the best) long-take directors working right now is <a href=\"https:\/\/www.imdb.com\/name\/nm0190859\/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><span class=\"itemprop\">Alfonso Cuar\u00f3n<\/span><\/a>. Whether it&#8217;s flying and flailing through space in <a href=\"https:\/\/www.imdb.com\/title\/tt1454468\/?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Gravity<\/em><\/a> to navigating the war-torn chaos of <a href=\"https:\/\/www.imdb.com\/title\/tt0206634\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Children of Men<\/em><\/a>. These seemingly one-take sequences are one of the best ways to immerse your audience. Here&#8217;s a look at how the director uses the filmmaking trick.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/vOr30FYBAOc?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Here&#8217;a pretty excellent breakdown of how to pull off this shot effectively.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/mkVYpzyJvG8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>One of <a title=\"Martin Scorsese IMDb\" href=\"http:\/\/www.imdb.com\/name\/nm0000217\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Martin\u00a0Scorsese&#8217;s<\/a> go-to tricks, the long tracking shot perfectly situates the viewer in the world of a film.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OJEEVtqXdK8?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<p>Looking for cinematography articles? Check these out.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/the-ultimate-cinema-camera-package\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Building The Ultimate, High-Versatility Cinema Camera Package<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/interview-dp-tales-by-light\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Insights into the Cinematography of the Award-Winning Doc-Series &#8220;Tales By Light&#8221;<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/filmmaking-tracking-handheld-vs-steadicam\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">The Whys and Hows of Tracking: Handheld vs. Stabilized<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/cinematography-tip-unmotivated-camera-movement\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Cinematography Tip: Working with Unmotivated Camera Movement<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/cameras-lenses-2019-oscar-nominations\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">The Cameras and Lenses Behind 2019\u2019s Oscar-Nominated Films<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Every director has a go-to shot that makes a scene unmistakably their own. Let&#8217;s take a look at 7 iconic cinematography techniques.<\/p>\n","protected":false},"author":82,"featured_media":58224,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3843,79,39,583],"tags":[4186,1093,1473,536],"class_list":["post-class-post-58110","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-filmmaking-2","post-class-category-inspiration","post-class-category-video-editing","post-class-category-video-production-2","post-class-tag-camera-shots","post-class-tag-cinematography","post-class-tag-directing","post-class-tag-filmmaking"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>7 Master Cinematography Techniques from Iconic Directors<\/title>\n<meta name=\"description\" content=\"Every director has a go-to shot that makes a scene unmistakably their own. 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