{"id":60144,"date":"2015-08-04T09:00:11","date_gmt":"2015-08-04T14:00:11","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=60144"},"modified":"2015-08-04T09:55:50","modified_gmt":"2015-08-04T14:55:50","slug":"using-vintage-film-lenses-on-micro-43-cameras","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/using-vintage-film-lenses-on-micro-43-cameras\/","title":{"rendered":"Using Vintage Film Lenses on Micro 4\/3 Cameras"},"content":{"rendered":"<h2 id=\"antique-lenses-are-a-great-way-to-give-your-video-project-a-distinct-look-and-feel-heres-what-you-need-to-know-about-sourcing-and-using-vintage-glass\" class=\"p1\">Antique lenses are a great way to give your video project a distinct look and feel.\u00a0Here&#8217;s what you need to know about sourcing and using vintage glass.<\/h2>\n<p class=\"p1\">One of the beautiful things about using<strong> micro 4\/3 cameras<\/strong> is that their sensor size is very close to that of 16mm film. This means (with an adapter) you can use lenses made for 16mm film cameras, as well as some lenses used on 8mm film cameras.<\/p>\n<p class=\"p1\">The only problem, for me, is that so can everyone else with a <strong>micro 4\/3 camera<\/strong>. A few years ago you couldn\u2019t give away your dusty old <a title=\"Bolex lens on eBay\" href=\"http:\/\/www.ebay.com\/itm\/Kern-Paillard-Switar-AR-25mm-f1-4-C-Mount-Lens-for-16mm-Bolex-GREAT-for-Micro43-\/301683567473?pt=LH_DefaultDomain_0&amp;hash=item463dbdeb71\" target=\"_blank\" data-wpel-link=\"external\">Bolex lens<\/a>, now it sells for a couple hundred dollars on eBay. There&#8217; a finite supply of these lenses (meaning all the vintage glass that&#8217;s going to be made has already been made), and as more and more amazing <strong>micro 4\/3 cameras<\/strong> come on the market, the demand for lenses is greater. <strong>Now&#8217;s the time to start snatching them up before prices get too high!<\/strong><\/p>\n<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-60618 size-full\" title=\"Using Vintage Film Lenses on Micro 4\/3 Cameras\" src=\"https:\/\/pbblogassets.s3.amazonaws.com\/uploads\/2015\/08\/OG-BOLEX-FOR-ARTICLE.jpg\" alt=\"Using Vintage Film Lenses on Micro 4\/3 Cameras\" width=\"755\" height=\"500\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/OG-BOLEX-FOR-ARTICLE.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/OG-BOLEX-FOR-ARTICLE.jpg?resize=300,199 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/OG-BOLEX-FOR-ARTICLE.jpg?resize=277,183 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/OG-BOLEX-FOR-ARTICLE.jpg?resize=359,238 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/OG-BOLEX-FOR-ARTICLE.jpg?resize=543,360 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/OG-BOLEX-FOR-ARTICLE.jpg?resize=560,371 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/OG-BOLEX-FOR-ARTICLE.jpg?resize=150,99 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><br \/>\n<em>Image from <a title=\"Cameratique\" href=\"http:\/\/cameratique.com\/shop\/Swiss-quality-16mm-professional-film-movie-camera-Switar-lens-C-mount-Angenieux\" target=\"_blank\" data-wpel-link=\"external\">Cameratique<\/a><\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">My first stop is always <a title=\"Vintage Lenses for Video\" href=\"http:\/\/www.vintagelensesforvideo.com\/\" target=\"_blank\" data-wpel-link=\"external\">Vintage Lenses for Video<\/a>.\u00a0<\/span>While not exclusively 16mm C-Mount for <strong>micro 4\/3s<\/strong>, they cover all manner of vintage lenses coupled to all manner of digital camera. This site is filled with reviews, anecdotes, and footage from an astonishing array of lenses. You will also see more flare-filled, slow-motion European street footage than anywhere else on the internet. I also <a title=\"Vintage Lenses for Video on Twitter\" href=\"https:\/\/twitter.com\/vintagelenses\" target=\"_blank\" data-wpel-link=\"external\">follow this site on Twitter<\/a> since it\u2019s always pointing to interesting lenses on eBay.<\/p>\n<p class=\"p2\">Which brings me to eBay, the internet\u2019s perpetual garage sale. Like a garage sale, you\u2019ll find incredible bargains, as well as amazingly overpriced ripoffs. The secret is due diligence. Research what you can about the lens you want and take a look at the prices the lenses are going for. Don\u2019t just jump in when you see the perfect $1500 <a title=\"Camerapedia\" href=\"http:\/\/camerapedia.wikia.com\/wiki\/Ang%C3%A9nieux\" target=\"_blank\" data-wpel-link=\"external\">Angenieux<\/a> zoom&#8230; if you track the auctions for a few days, you&#8217;ll likely be able to pick one up for just a few hundred dollars. And then you&#8217;ll get to shoot footage like this:<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/9pFzBcCKKdM\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"p2\">I live in the San Francisco Bay Area. It&#8217;s a place filled with camera nerds, which makes it an ideal place to search camera shops for used gear. The flipside of that: all the good bargains in the camera shops get picked clean pretty quickly.<\/p>\n<p class=\"p2\">I like to check at places like <a title=\"Looking Glass in Berkeley\" href=\"https:\/\/lookingglassphoto4.reachlocal.net\/\" target=\"_blank\" data-wpel-link=\"external\">Looking Glass in Berkeley<\/a> and <a title=\"Adolph Gasser in San Francisco\" href=\"http:\/\/www.gassersphoto.com\/audiovisual-used.html\" target=\"_blank\" data-wpel-link=\"external\">Adolph Gasser\u00a0in San Francisco<\/a>\u00a0to\u00a0see what kind of used stuff is moving through. <strong>Making friends and connections with the folks that work at camera shops<\/strong> is a great way to be a part of the larger community \u2014 as well as finding places to get great lenses.<\/p>\n<p class=\"p2\">Craigslist can be another excellent place to search for old glass. In the case of old film equipment, you\u2019re often better off buying someone\u2019s old camera and lenses as a kit, rather than searching for lenses. There are people collecting these old cameras for nostalgia and hobby \u2014 and others\u00a0grabbing lenses.<\/p>\n<p class=\"p2\">Either way, the cameras are basically doorstops when decoupled from their lenses, so do the seller a favor and take the whole thing off their hands. I have found <strong>8mm<\/strong> and <strong>Super 8 cameras<\/strong> with multiple lenses for about a hundred dollars and <strong>16mm<\/strong> and <strong>Super 16mm<\/strong> with lenses for a few hundred.<\/p>\n<p class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-60619 size-full\" title=\"Using Vintage Film Lenses on Micro 4\/3 Cameras: Old School Lens Kit\" src=\"https:\/\/pbblogassets.s3.amazonaws.com\/uploads\/2015\/08\/BOLEX-KIT-VINTAGE.jpg\" alt=\"Using Vintage Film Lenses on Micro 4\/3 Cameras: Old School Lens Kit\" width=\"755\" height=\"500\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/BOLEX-KIT-VINTAGE.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/BOLEX-KIT-VINTAGE.jpg?resize=300,199 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/BOLEX-KIT-VINTAGE.jpg?resize=277,183 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/BOLEX-KIT-VINTAGE.jpg?resize=359,238 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/BOLEX-KIT-VINTAGE.jpg?resize=543,360 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/BOLEX-KIT-VINTAGE.jpg?resize=560,371 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/08\/BOLEX-KIT-VINTAGE.jpg?resize=150,99 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><br \/>\n<em>Image from <a title=\"Cameratique\" href=\"http:\/\/cameratique.com\/shop\/Swiss-quality-16mm-professional-film-movie-camera-Switar-lens-C-mount-Angenieux\/BOLEX-YVAR-H16-REFLEX-CAMERA-LENS-2.8-75mm-CAPS-CASE-NR\" target=\"_blank\" data-wpel-link=\"external\">Cameratique<\/a><\/em><\/p>\n<p class=\"p2\">Again, since there are so many <strong>new micro 4\/3 cameras<\/strong> on the market, the really great bargain <strong>16mm lenses<\/strong> are harder and harder to find. The <strong>8mm lenses<\/strong> are still out there, however there are some limitations \u2014 the biggest being that the image circle produced by many of the lenses used on<strong> 8mm<\/strong> and <strong>Super8<\/strong> is much smaller than the <strong>micro 4\/3<\/strong> sensor.<\/p>\n<p class=\"p2\">With some cameras, like the <a title=\"GH2\" href=\"http:\/\/www.bhphotovideo.com\/c\/product\/736362-REG\/Panasonic_DMC_GH2H_K_Lumix_DMC_GH2_Digital_Camera.html\" target=\"_blank\" data-wpel-link=\"external\">GH2<\/a>, you can shoot in ETC (extra tele conversion) mode. Shooting in ETC let\u2019s you use just the center 1920 x 1080 pixels of the sensor rather than the full 4976 x 2800. This is like using the \u201cSuper8\u201d portion of the sensor. It\u2019s a really handy feature that not every camera has.<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/player.vimeo.com\/video\/20766631\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p class=\"p2\">For lenses originating from <strong>8mm<\/strong> and<strong> Super8 cameras<\/strong> that are 25mm or longer, this is less of a concern. I have a gorgeous 25mm Switar borrowed from a friend\u2019s Bolex 8mm. That lens (coupled with a C-Mount-to-micro-4\/3 adapter snagged off of Amazon) gave me a retro setup for shooting \u201cdad videos\u201d of my four year-old on my hacked <strong>Panasonic Lumix GF2<\/strong>. As long as I shoot f4 or wider, there is minimal vignetting.<\/p>\n<p class=\"p2\"><em>Here is an image taken at f8. Notice the very distinct vignette.<\/em><\/p>\n<p class=\"p2\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-60188\" title=\"Using Vintage Film Lenses on Micro 4\/3 Cameras: Vignette\" src=\"https:\/\/pbblogassets.s3.amazonaws.com\/uploads\/2015\/07\/P1060757.jpg\" alt=\"Using Vintage Film Lenses on Micro 4\/3 Cameras: Vignette\" width=\"755\" height=\"566\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060757.jpg 640w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060757.jpg?resize=300,225 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060757.jpg?resize=277,208 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060757.jpg?resize=359,269 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060757.jpg?resize=543,407 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060757.jpg?resize=560,420 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060757.jpg?resize=150,113 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><em>Here is a similar image taken at f4. Notice the vignette effect is nearly gone.<\/em><\/p>\n<p class=\"p1\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-60189\" title=\"Using Vintage Film Lenses on Micro 4\/3 Cameras: Less Vignette\" src=\"https:\/\/pbblogassets.s3.amazonaws.com\/uploads\/2015\/07\/P1060762.jpg\" alt=\"Using Vintage Film Lenses on Micro 4\/3 Cameras: Less Vignette\" width=\"755\" height=\"566\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060762.jpg 640w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060762.jpg?resize=300,225 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060762.jpg?resize=277,208 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060762.jpg?resize=359,269 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060762.jpg?resize=543,407 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060762.jpg?resize=560,420 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2015\/07\/P1060762.jpg?resize=150,113 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/p>\n<p class=\"p1\" style=\"text-align: left;\"><strong>Less is more with the optics of old lenses.<\/strong> They are not sharp, there is vignetting and edge distortion, and everything is manual. The bokeh on these old lenses really varies from make and vintage, but some are downright dreamy. And that\u2019s really the point of going through the hasssle of using these \u2014 the optical artifacts of old lenses create the image equivalent of \u201ccomfort food.\u201d<\/p>\n<p class=\"p1\">There is something reassuringly anachronistic about a 50 year old lens on modern camera. Something that color processing and grading alone doesn\u2019t replicate. This is probably burned into our collective psyche, seeing decades of home movies imaged through this glass.<\/p>\n<p class=\"p1\">It makes me wonder. In twenty years, will this generation of kids be pulling the lenses out of iPhones and slapping them on to whatever people are recording movies on then for that \u201cclassic\u201d feel?<\/p>\n<p class=\"p1\"><strong>Got any advice for folks looking to get into classic glass?<\/strong> Let us know in the comments below!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Antique lenses are a great way to give your video project a distinct look and feel. Here&#8217;s what you need to know about sourcing and using vintage \u2026<\/p>\n","protected":false},"author":31,"featured_media":60615,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[3843,79,617,67,583],"tags":[3133,4344,4343,1834,2359,3156,2360,4342,4341],"class_list":["post-class-post-60144","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-filmmaking-2","post-class-category-inspiration","post-class-category-photography","post-class-category-product-reviews","post-class-category-video-production-2","post-class-tag-bokeh","post-class-tag-bolex","post-class-tag-classic-lens","post-class-tag-glass","post-class-tag-lenses","post-class-tag-micro-43","post-class-tag-micro-four-thirds","post-class-tag-old-lens","post-class-tag-vintage-lens"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Using Vintage Film Lenses on Micro 4\/3 Cameras<\/title>\n<meta name=\"description\" content=\"Antique lenses are a great way to give your video project a distinct look. Here&#039;s what you need to know about sourcing vintage glass for micro 4\/3 cameras.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.premiumbeat.com\/blog\/using-vintage-film-lenses-on-micro-43-cameras\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Using Vintage Film Lenses on Micro 4\/3 Cameras\" \/>\n<meta property=\"og:description\" content=\"Antique lenses are a great way to give your video project a distinct look. Here&#039;s what you need to know about sourcing vintage glass for micro 4\/3 cameras.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.premiumbeat.com\/blog\/using-vintage-film-lenses-on-micro-43-cameras\/\" \/>\n<meta property=\"og:site_name\" content=\"The Beat: A Blog by PremiumBeat\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/premiumbeat\" \/>\n<meta property=\"article:published_time\" content=\"2015-08-04T14:00:11+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-08-04T14:55:50+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/pbblogassets.s3.amazonaws.com\/uploads\/2015\/08\/vintage-lens-cover.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"584\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Eric Escobar\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Premiumbeat\" \/>\n<meta name=\"twitter:site\" content=\"@Premiumbeat\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Eric Escobar\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/using-vintage-film-lenses-on-micro-43-cameras\/\",\"url\":\"https:\/\/www.premiumbeat.com\/blog\/using-vintage-film-lenses-on-micro-43-cameras\/\",\"name\":\"Using Vintage Film Lenses on Micro 4\/3 Cameras\",\"isPartOf\":{\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#website\"},\"datePublished\":\"2015-08-04T14:00:11+00:00\",\"dateModified\":\"2015-08-04T14:55:50+00:00\",\"author\":{\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#\/schema\/person\/0805fbf2bef0ca5902c169ce7088a9d9\"},\"description\":\"Antique lenses are a great way to give your video project a distinct look. 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He has been making films and videos since he was 15, and graduated from UC Berkeley. Eric has written and directed a dozen short films and a staggering number of industrial videos, commercials and PSAs. He was once awarded an Honorable Mention in Short Filmmaking from the Sundance Grand Jury. He previously worked for Adobe Systems, working tech support for Premiere and After Effects. He then worked for Apple, Inc as a QA Engineer on the Final Cut Pro Development Team. Nowadays he develops Magic Bullet Looks Packs for Red Giant Software.\",\"url\":\"https:\/\/www.premiumbeat.com\/blog\/author\/ericescobar\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Using Vintage Film Lenses on Micro 4\/3 Cameras","description":"Antique lenses are a great way to give your video project a distinct look. 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