{"id":60601,"date":"2020-03-18T06:00:00","date_gmt":"2020-03-18T11:00:00","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=60601"},"modified":"2020-03-18T09:56:10","modified_gmt":"2020-03-18T14:56:10","slug":"the-good-the-bad-and-the-ugly-of-the-western-film-genre","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/the-good-the-bad-and-the-ugly-of-the-western-film-genre\/","title":{"rendered":"The Good, the Bad and the Ugly of the Western Film Genre"},"content":{"rendered":"

With new productions on the horizon, some say the once-dead Western film genre seems to be making a slow comeback. Did it ever really go away?<\/h2>\n

Out of all the film genres, the Western might be the most recognizable and iconic. Sometimes, all it takes to evoke the Western is a single shot of a Stetson hat or a Smith & Wesson revolver \u2014 or maybe even one melody from an Ennio Morricone<\/a> score<\/a>. From the genre\u2019s rise in the earliest days of cinema to a heyday that spanned decades of classic Hollywood to its modern and neo-modern stylings, the Western is a rich, iconographic, and important genre every filmmaker should be familiar with.<\/p>\n

So, let\u2019s take a look at some of the classics as we break down the different types of Western sub-genres \u2014 and how filmmakers can best utilize all the gunslinging, high-riding tropes this genre has to offer.<\/p>\n

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Classic Western<\/h3>\n
\"John<\/a>

John Wayne<\/a> in one of his classic Western roles in <\/em>The Searchers<\/a> (1956). (Image via Warner Bros.)<\/em><\/p><\/div>\n

Looking back to the very earliest days of silent film, the classic Western genre has long been synonymous with the mainstream cinema experience. The most famous example, which we see time and time again, is The Great Train Robbery<\/em><\/a> (1903), which serves as a perfect getaway from silent film into the advent of sound and the rise of the major Hollywood studios.<\/p>\n

Stretching from the turn of the century into the mid-1950s, the classic Western sub-genre included legendary names like John Ford<\/a>, John Wayne, and Errol Flynn<\/a>. The main tropes of the genre came into form in this era with sprawling landscapes; individualistic themes; and the now-familiar sheriffs, outlaws, and Native American storylines.<\/p>\n

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The Revisionist and Anti-Western<\/h3>\n
\""The<\/a>

The ensemble cast in Sam Peckinpah<\/a>‘s anti-Western <\/em>The Wild Bunch<\/a> (1969). (Image via Warner Bros\/Seven Arts.)<\/em><\/p><\/div>\n

However, moving on from the classic Westerns and into the late-1950s and early 1960s, the genre would begin to change, as filmmakers and audiences alike grew tired of the same tried-and-true stories. A Revisionist Western genre would emerge that challenged the traditional good guy vs. bad guy dualism of the classic Western.<\/p>\n

Instead, a rise of anti-heroes and anti-Westerns emerged in the United States, with notable films like Ride the High Country <\/em><\/a>(1962), The Wild Bunch <\/em>(1969), and Little Big Man<\/em><\/a> (1970), as well as internationally with the Japanese-influenced Italian \u201cSpaghetti Westerns,\u201d including A Fistful of Dollars <\/em><\/a>(1964), Django<\/em><\/a> (1966), and The Good, the Bad and the Ugly<\/em><\/a> (1966).<\/p>\n

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Contemporary and Neo-Western<\/h3>\n
\"Clint<\/a>

Clint Eastwood<\/a> trades his spurs for a police badge in the Contemporary Western <\/em>Dirty Harry<\/a> (1971). (Image via Warner Bros.)<\/em><\/p><\/div>\n

As with all genres, the Western would continue to evolve with the styles of the times. By the 1970s, audiences were so familiar with the classic and revisionist tropes of the genre that films could move even further away from some of the basic icons, like the setting and landscape. New, contemporary Westerns would emerge (yet with familiar stars and directors) like Clint Eastwood\u2019s Dirty Harry<\/em> (1971) and Sam Peckinpah\u2019s The Getaway<\/em><\/a> (1972).<\/p>\n

From there, and in more recent years, the genre would also revisit many of the same staples it had steered away from, with the rise of Neo-Westerns like Robert Rodriguez<\/a>\u2019s El Mariachi<\/em> Trilogy<\/a>, Tombstone<\/em><\/a> (1993), and No Country for Old Men<\/em><\/a> (2007). The Contemporary and Neo-Western would also find new homes in both television and other streaming content forms, with popular shows like Breaking Bad<\/em><\/a>, True Detective<\/a>,<\/em> and The Walking Dead<\/em><\/a>.<\/p>\n

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Fantasy and Space Western<\/h3>\n
\"Anthony<\/a>

Many of the characters, plot points, and motifs in\u00a0 <\/em>Star Wars<\/a> (1977) come from classic Western films. (Image via Disney.)<\/em><\/p><\/div>\n

It\u2019s also important to look to the numerous subgenres that ran parallel to the classic Western\u2019s evolution, with notable examples being the Fantasy Western and the Space Western. One of the most iconic hybrid-Western genre films would be Star Wars<\/em> (1977) \u2014 which combined elements of sci-fi, space, and fantasy \u2014 with many of the same gunmen, cantina, and good vs. bad plot points found in the earliest days of the genre.<\/p>\n

We also have unique examples that range from era and style, including Firefly<\/em><\/a>, Cowboy Bebop<\/em><\/a>, and Guardians of the Galaxy<\/em><\/a>, as examples of how these Western hybrid genres remain hugely popular, even today.<\/p>\n

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The Current State of Things<\/h3>\n
\"Jeff<\/a>

Jeff Bridges<\/a> stars in the recent modern Western film <\/em>Hell or High Water<\/a> (2016). (Image via Lionsgate.)<\/em><\/p><\/div>\n

Which brings us to what filmmakers can do with the Western genre today. As we can see above, the genre has weathered decades and has remained one of the most popular \u2014 and perhaps safest \u2014 options for mainstream appeal. The technical aspects of creating Western films are also favorable for many filmmakers on a budget.<\/p>\n

However, whether you\u2019re looking to adapt modern stories \u2014 like recent films The Rover<\/em><\/a> (2014) or Hell or High Water <\/em>(2016) \u2014 or are interested in finding new and unique ways to implement elements of the Western in your hybrid productions \u2014 like Sam Elliott<\/a>\u2019s old west cowboy cameo in The Big Lebowski<\/em><\/a> (1998) \u2014 it\u2019s helpful to be familiar with and understand the genre\u2019s rich history.<\/p>\n

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This article was originally published in August of 2015. We have updated it to reflect changes in the industry.<\/p>\n

Cover image via United Artists<\/a>.<\/em><\/p>\n

For more Western and genre filmmaking insights and advice, check out these articles below.<\/p>\n