Top image from\u00a0Red Giant Software<\/a><\/em><\/p>\n Premiere Pro<\/strong> CC is a powerful NLE that’s steadily gaining traction within the Hollywood system. It’s being used to cut films like The Aviator<\/a>, Hugo<\/a>, and Gone Girl<\/a>. While Premiere Pro<\/strong> is beginning to carve out a niche within feature-film editing, it’s also making a name for itself with independent and documentary filmmakers.\u00a0Cop Car<\/a> was one such production that relied on Premiere Pro<\/strong> and its flexibility.<\/p>\n No matter what project you’re working on, you want to maximize your turnaround time as much as possible. One way to do this is to utilize the vast array of available plugins for the software. Let’s take a look at some essential \u2014 and affordable \u2014\u00a0Premiere Pro plugins.<\/strong><\/p>\n Red Giant has several Premiere Pro plugins<\/strong>, but one of their best options has to be Magic Bullet Colorista III<\/a>. By utilizing this plugin, editors can really fine tune their color correction right in Premiere. By adding the power of Colorista to the built-in color workflows<\/a>\u00a0in Premiere, you should have everything you need to make your feature of video project look as professional as possible.<\/p>\n Price:<\/strong>\u00a0$199<\/a><\/em><\/p>\n1. Magic Bullet Colorista III<\/h3>\n