{"id":65362,"date":"2015-10-20T11:08:00","date_gmt":"2015-10-20T16:08:00","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=65362"},"modified":"2015-10-20T22:32:08","modified_gmt":"2015-10-21T03:32:08","slug":"vfx-didnt-realize-happening","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/vfx-didnt-realize-happening\/","title":{"rendered":"VFX Scenes You Thought Were Real"},"content":{"rendered":"<h2 id=\"you-cant-always-believe-your-eyes-vfx-isnt-always-made-up-monsters-and-otherworldly-landscapes-sometimes-the-best-vfx-executions-are-subtle-enough-to-be-invisible\">You can&#8217;t always believe your eyes. VFX isn&#8217;t always made-up monsters and otherworldly landscapes. Sometimes the best VFX executions are subtle enough to be invisible.<\/h2>\n<p><em>Top image from <a title=\"Brainstorm Digital\" href=\"http:\/\/www.brainstorm-digital.com\/\" target=\"_blank\" data-wpel-link=\"external\">Brainstorm Digital<\/a><\/em><\/p>\n<p>You\u2019d be surprised at some of the films that frequently rely on <strong>VFX<\/strong>. While they\u00a0are\u00a0now\u00a0applied to\u00a0almost every feature film for minor touch-ups, many movies rely on <strong>VFX\u00a0<\/strong>to create objects, moods, or even entire locations that would otherwise\u00a0be expensive, difficult, or even impossible to depict. They also make filmmaking much more forgiving by allowing production mistakes to be solved in post-production, rather than with a reshoot. Here are a few truly astounding breakdowns of what goes into the modern Hollywood picture.<\/p>\n<h3 id=\"nightcrawler\">Nightcrawler<\/h3>\n<p>https:\/\/vimeo.com\/119921049#t=53s<\/p>\n<p>We\u2019ll start with the more subtle examples of what capabilities computers have provided us with. The 2014 film\u00a0<em><a title=\"Nightcrawler\" href=\"http:\/\/www.imdb.com\/title\/tt2872718\/?ref_=nv_sr_1\" target=\"_blank\" data-wpel-link=\"external\">Nightcrawler<\/a>,\u00a0<\/em>while grounded in reality and\u00a0not overly-stylistic, still benefitted from a plethora of\u00a0minor adjustments that individually may seem pointless, but come together to create a perfect image as opposed to a slightly flawed one.<\/p>\n<p>This breakdown of the car chase in the film&#8217;s last act demonstrates\u00a0some impressive <a title=\"Digital Compositing\" href=\"https:\/\/en.m.wikipedia.org\/wiki\/Digital_compositing\" target=\"_blank\" data-wpel-link=\"external\">digital\u00a0compositing skills<\/a> that are\u00a0applied to\u00a0everything from changing the color of a traffic light\u00a0to replacing <a title=\"Jake Gyllenhaal\" href=\"http:\/\/www.imdb.com\/name\/nm0350453\/\" target=\"_blank\" data-wpel-link=\"external\">Jake Gyllenhaal&#8217;s<\/a> ponytail.<\/p>\n<p><a title=\"Rotoscoping\" href=\"https:\/\/www.rocketstock.com\/blog\/rotoscoping-from-early-animation-to-blockbuster-vfx\/\" target=\"_blank\" data-wpel-link=\"external\">Rotoscoping<\/a>, the art of cutting out on-screen elements frame-by-frame to hide or move them elsewhere, is a painstakingly tedious process that is used to great effect here. Also note the use of selective <strong>color correction<\/strong>\u00a0to remove shadows and lighten underexposed\u00a0areas. <strong>This breakdown is a perfect example of how forgiving filmmaking has become.<\/strong><\/p>\n<hr \/>\n<h3 id=\"american-hustle\" style=\"color: #2b2b2b\">American Hustle<\/h3>\n<p><iframe loading=\"lazy\" title=\"American Hustle | VFX Supervisor\" src=\"https:\/\/player.vimeo.com\/video\/97774716?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p>Next up, we have the 2013 crime-drama,\u00a0<em><a title=\"American Hustle\" href=\"http:\/\/www.imdb.com\/title\/tt1800241\/?ref_=fn_al_tt_1\" target=\"_blank\" data-wpel-link=\"external\">American Hustle<\/a>.\u00a0<\/em>This is another movie that at first glance appears to be untouched by visual effects artists, save for some\u00a0color grading. However, this breakdown reveals the problems the film&#8217;s production faced involving timing and set location, with unattractive construction equipment cluttering the\u00a0building facade in the background.<\/p>\n<p>Obviously, the removal of this equipment was not essential to the aesthetic of the shot, nor the audience&#8217;s suspension of disbelief. However, <strong>it did result in a much cleaner image that was much closer to the director&#8217;s original vision.<\/strong><\/p>\n<p>This showcases some more impressive rotoscoping, especially around the characters&#8217;\u00a0hair, which is one of the most difficult surfaces to deal with. Additionally, this breakdown shows the importance of good 3D motion-tracking. <strong>3D motion-tracking<\/strong> is the process by which a program analyzes hundreds of high-contrast, consistent\u00a0points within the shot, and using these points, calculates the placement of the camera within the scene based on how they move in relation to one another.<\/p>\n<p>This fundamental process is what allows artists to convincingly place any\u00a0element they want into a shot that involves a moving camera.\u00a0<strong>Even if all other aspects of a visual effect are flawless, the entire effort will fall flat if the motion tracking points aren&#8217;t accurate.<\/strong><\/p>\n<hr \/>\n<h3 id=\"zodiac\">Zodiac<\/h3>\n<p><iframe loading=\"lazy\" title=\"Zodiac VFX Showreel_Environment\" src=\"https:\/\/player.vimeo.com\/video\/125061990?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write\"><\/iframe><\/p>\n<p><a title=\"David Fincher\" href=\"http:\/\/www.imdb.com\/name\/nm0000399\/?ref_=nv_sr_1\" target=\"_blank\" data-wpel-link=\"external\">David Fincher<\/a> is known for using\u00a0<strong>VFX<\/strong> to aid the visual style and story\u00a0of his films. Arguably the most impressive of these is the largely virtual crime scene featured in his 2007 film,\u00a0<em><a title=\"Zodiac\" href=\"http:\/\/www.imdb.com\/title\/tt0443706\/?ref_=nv_sr_1\" target=\"_blank\" data-wpel-link=\"external\">Zodiac<\/a><\/em>. This again prompts the question of whether or not digitally creating a simple neighborhood intersection is necessary. Regardless, the resulting scene\u00a0featured a\u00a0distinct lighting aesthetic\u00a0and an imaginary\u00a0environment that likely could not have been shot\u00a0the traditional way.<\/p>\n<p>Among the most prominent techniques shown\u00a0here are the placement and digital removal of the blue\u00a0screen. Despite the consistently uneven lighting of the blue screens on set, there is not the slightest evidence of them in the final product, thanks to some expert-level <strong>chroma keying<\/strong>\u00a0(removal of a color from an image).<strong>\u00a0<\/strong>Like motion tracking, <strong>precise\u00a0chroma keying is a key part of creating a photo-real scene<\/strong>. Additionally, the use of detailed <strong>3D models<\/strong> and the seamless implementation of them are really inspiring.<\/p>\n<p>The human eye is very good at detecting fake light, and getting digital lights and textures\u00a0to trick it is extremely hard to do. While not necessarily the most important element of CGI, <strong>accurate lighting<\/strong><strong>\u00a0is often the finishing touch that will take something fake from being <em>impressive<\/em> to being <em>unnoticeable<\/em>.<\/strong><\/p>\n<hr \/>\n<h3 id=\"children-of-men\" style=\"color: #2b2b2b\">Children of Men<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/jj4JREvwloo?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>The 2007 masterpiece, <a title=\"Children of Men\" href=\"http:\/\/www.imdb.com\/title\/tt0206634\/?ref_=nv_sr_1\" target=\"_blank\" data-wpel-link=\"external\"><em>Children of Men<\/em><\/a>, is conceptually a bit more far-fetched than the previously mentioned films, and contains many sequences that, while realistic, are still clearly a product of CGI. However, the most impressive of the many effects throughout\u00a0the film is <strong>the digital recreation of a newborn infant<\/strong>.<\/p>\n<p>While it\u00a0makes sense that acquiring a real human newborn might be difficult for a scene like this, it&#8217;s still surprising that the baby shown on screen was <em>completely<\/em> computer generated. An older baby could certainly have been used with some adjustments to the cinematography and editing, but director <a title=\"Alfonso Cuar\u00f3n\" href=\"http:\/\/www.imdb.com\/name\/nm0190859\/\" target=\"_blank\" data-wpel-link=\"external\">Alfonso Cuaron<\/a>\u00a0was able to commit to his vision with the assistance of CGI.<\/p>\n<p>This impressive feat was accomplished with all of the aforementioned techniques and more. <strong>One of the most challenging aspects of VFX is the depiction of physics.<\/strong>\u00a0Like lighting, <strong>physics<\/strong> are an integral part of our visual perception of the world, and <strong>we tend to quickly notice when a familiar object doesn&#8217;t move the way it should<\/strong>. Every tiny movement the baby makes is entirely convincing, and despite <a title=\"Clive Owen IMDb\" href=\"http:\/\/www.imdb.com\/name\/nm0654110\/\" target=\"_blank\" data-wpel-link=\"external\">Clive Owen&#8217;s<\/a> hands being empty, it still appears to be resting\u00a0within them.<\/p>\n<p><strong>Texturing<\/strong> is one of the most difficult aspects of recreating human flesh, as it&#8217;s one of the most common surfaces we see\u00a0on a day-to-day basis. While the infant&#8217;s textures were certainly top-notch, <strong>any flaws in them could be hidden with the low-key lighting and heavy shadows.<\/strong> This is a prevalent technique within the visual effects industry, seeing as <strong>darker lighting is more forgiving than say, daytime,<\/strong> which exposes every detail of its subjects.<\/p>\n<hr \/>\n<h3 id=\"the-wolf-of-wall-street\">The Wolf of Wall Street<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/pocfRVAH9yU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>This drug-fueled roller coaster ride of a movie\u00a0was full of excess, and its utilization\u00a0of <strong>VFX<\/strong> is\u00a0no exception. Many of the set pieces of this film may have still been possible to\u00a0shoot on location or without alteration, but <a title=\"Martin Scorcese\" href=\"http:\/\/www.imdb.com\/name\/nm0000217\/?ref_=fn_nm_nm_1\" target=\"_blank\" data-wpel-link=\"external\">Martin Scorcese<\/a> clearly wanted to take everything above and beyond by creating extravagant settings beyond what even exists \u2014 though they aren&#8217;t necessarily far-fetched, either.<\/p>\n<p>One of the most fascinating <strong>VFX<\/strong> breakdowns of recent years, <strong>this mind-boggling highlight reel brings to light how far computer-driven filmmaking has come<\/strong>\u00a0and will likely make you begin to question everything you see on screen.<\/p>\n<p><a title=\"Matte Painting\" href=\"https:\/\/www.rocketstock.com\/blog\/visual-effects-matte-paintings-composited-film\/\" target=\"_blank\" data-wpel-link=\"external\">Matte painting<\/a>\u00a0(the blending of elements, both real and not, to create one\u00a0landscape &#8211; based on set extension using actual paintings)\u00a0is the most notable of the skills applied\u00a0to create these sequences\u00a0\u2014\u00a0though the use of 3D models, textures, lighting, 3D motion tracking, rotoscoping, green screen chroma keying, and more, are not to be taken lightly.<\/p>\n<p>The potential\u00a0of being able to expand on the <a title=\"mise en scene\" href=\"https:\/\/en.wikipedia.org\/wiki\/Mise_en_sc%C3%A8ne\" target=\"_blank\" data-wpel-link=\"external\">mise-en-sc\u00e8ne<\/a>\u00a0of\u00a0any given shot is endless, and\u00a0<a href=\"http:\/\/www.imdb.com\/title\/tt0993846\/?ref_=nv_sr_1\" data-wpel-link=\"external\" target=\"_blank\"><em>The Wolf of Wall Street<\/em><\/a>\u00a0makes\u00a0great use\u00a0of this potential without the viewer ever realizing that they aren&#8217;t looking at a real place.<\/p>\n<hr \/>\n<p>In a time where Hollywood has become cluttered with a surplus of over-the-top CGI, it&#8217;s easy to view it as overused and even harmful to the industry&#8217;s creativity. However, if you can look past the shameless,\u00a0invasive visual noise of many modern blockbusters, you&#8217;ll find that <strong>VFX<\/strong>, when used sparingly, can be a wonderful and inspirational tool in bringing even the most modest story to life.<\/p>\n<p><strong>Which of these breakdowns did you find the most\u00a0shocking?\u00a0<\/strong>Let us know in the comments below.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>You can&#8217;t always believe your eyes. VFX isn&#8217;t always made-up monsters and otherworldly landscapes. Sometimes the best VFX executions are so subtle they&#8217;re invisible.<\/p>\n","protected":false},"author":61,"featured_media":65482,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[30,78,583],"tags":[284,4670,889,3073,734,536,4671,2188,695,1400,363,756,1228,473],"class_list":["post-class-post-65362","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-after-effects","post-class-category-roundups","post-class-category-video-production-2","post-class-tag-3d","post-class-tag-aftereffects","post-class-tag-breakdown","post-class-tag-cgi","post-class-tag-film","post-class-tag-filmmaking","post-class-tag-matte-painting","post-class-tag-motion-tracking","post-class-tag-movies","post-class-tag-rotoscoping","post-class-tag-sfx","post-class-tag-special-effects","post-class-tag-vfx","post-class-tag-visual-effects"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v21.5) - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>VFX Scenes You Thought Were Real<\/title>\n<meta name=\"description\" content=\"VFX isn&#039;t always monsters and spaceships. Sometimes the best VFX executions are practically invisible. Here are a few effects you likely thought were real.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.premiumbeat.com\/blog\/vfx-didnt-realize-happening\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"VFX Scenes You Thought Were Real\" \/>\n<meta property=\"og:description\" content=\"VFX isn&#039;t always monsters and spaceships. Sometimes the best VFX executions are practically invisible. Here are a few effects you likely thought were real.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.premiumbeat.com\/blog\/vfx-didnt-realize-happening\/\" \/>\n<meta property=\"og:site_name\" content=\"The Beat: A Blog by PremiumBeat\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/premiumbeat\" \/>\n<meta property=\"article:published_time\" content=\"2015-10-20T16:08:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2015-10-21T03:32:08+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/pbblogassets.s3.amazonaws.com\/uploads\/2015\/10\/Real-VFX-Cover-New.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"584\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Kavon Zamanian\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Premiumbeat\" \/>\n<meta name=\"twitter:site\" content=\"@Premiumbeat\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Kavon Zamanian\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/vfx-didnt-realize-happening\/\",\"url\":\"https:\/\/www.premiumbeat.com\/blog\/vfx-didnt-realize-happening\/\",\"name\":\"VFX Scenes You Thought Were Real\",\"isPartOf\":{\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#website\"},\"datePublished\":\"2015-10-20T16:08:00+00:00\",\"dateModified\":\"2015-10-21T03:32:08+00:00\",\"author\":{\"@id\":\"https:\/\/www.premiumbeat.com\/blog\/#\/schema\/person\/48ab9ceb86fdaa1f252dbc499bf8369a\"},\"description\":\"VFX isn't always monsters and spaceships. 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He has a passion for all forms of media, especially those involving motion. His motion graphics have been showcased in Times Square and his icons have appeared in countless ads.\",\"url\":\"https:\/\/www.premiumbeat.com\/blog\/author\/kavonzamanian\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"VFX Scenes You Thought Were Real","description":"VFX isn't always monsters and spaceships. Sometimes the best VFX executions are practically invisible. Here are a few effects you likely thought were real.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.premiumbeat.com\/blog\/vfx-didnt-realize-happening\/","og_locale":"en_US","og_type":"article","og_title":"VFX Scenes You Thought Were Real","og_description":"VFX isn't always monsters and spaceships. Sometimes the best VFX executions are practically invisible. 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