{"id":74170,"date":"2016-05-24T10:04:00","date_gmt":"2016-05-24T15:04:00","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?p=74170"},"modified":"2022-04-07T14:52:53","modified_gmt":"2022-04-07T19:52:53","slug":"this-technology-is-going-to-change-filmmaking-forever","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/this-technology-is-going-to-change-filmmaking-forever\/","title":{"rendered":"This Technology Is Going to Change Filmmaking Forever"},"content":{"rendered":"<h2 id=\"the-tech-behind-the-lytro-cinema-camera-spells-the-end-of-the-green-screen-fixed-shutter-speeds-static-depth-of-field-frames-per-second-and-focusing\">The tech behind the Lytro Cinema Camera spells\u00a0the end of the green screen, fixed shutter speeds, static\u00a0depth of field, frames per second, and focusing.<\/h2>\n<p>It seems like there&#8217;s a new technology every week that promises to &#8220;change&#8221; the <strong>filmmaking<\/strong> world in a significant way. Most of these products fall short, but one newly announced product will most certainly change the way filmmakers tell their stories: <strong>the Lytro Cinema Camera<\/strong>.<\/p>\n<p>The camera, created by Lytro, uses <strong>light field technology<\/strong> to analyze pixels for\u00a0their color, value, distance, and lighting direction. This video sums it up nicely:<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/rklGn6Ml7U0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;start=67&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<h3 id=\"the-end-of-green-screen\">The End of Green Screen<\/h3>\n<p>Currently\u00a0if you want to\u00a0cut your subject out of the background, you have to do one of two things \u2014 <strong>rotoscope your subject<\/strong> out frame by frame, or <strong>shoot with a green screen<\/strong> and key the green out in post.<\/p>\n<p>Neither option is\u00a0great, and <strong>video producers and VFX artists<\/strong> often find themselves limited when working\u00a0under these circumstances \u2014 but the <strong>Lytro Cinema Camera<\/strong> offers something new. No longer do you have to key out your background based on color or value; you can now use distance as a way to remove your background.<\/p>\n<p><a href=\"http:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2016\/05\/Lytro-Green-Screen.gif\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-76081\" src=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2016\/05\/Lytro-Green-Screen.gif\" alt=\"Lytro Green Screen\" width=\"755\" height=\"421\" \/><\/a><\/p>\n<p>Using the <strong>Lytro Cinema Camera<\/strong>, you can tell your computer to <strong>remove any pixel information<\/strong> farther than fifteen feet away from the camera.\u00a0This will open up a world of possibilities in both\u00a0keying and lighting. Users can now shoot their subjects in realistic lighting scenarios without having to worry about &#8220;spillage.&#8221;<\/p>\n<h3 id=\"no-more-focusing-seriously\">No More Focusing \u2014 Seriously<\/h3>\n<p>A frame recorded on a camera is a static image that&#8217;s played back at 24 or 30 frames per second. The <strong>camera converts the pixel information<\/strong> into images as it records (unless you&#8217;re shooting in RAW). Because of this, users\u00a0must get perfect focus on set. This can lead to take after take, especially if your actors have multiple marks to hit.<\/p>\n<blockquote><p>Essentially we have a virtual camera that can be controlled in post-production.<\/p><\/blockquote>\n<p>However, <strong>Lytros Cinema Camera<\/strong> technology allows you to select and keyframe your focus in post. No more focus pulling, no more blown shots.<strong> Simply\u00a0compose your shot and focus in post.<\/strong> This will\u00a0allow the production\u00a0to focus more on the actors performance and less on the assistant camera hitting their marks.<\/p>\n<p>Let&#8217;s take a look at the workflow for working with images from the Lytro:<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/0JbERFPWNyU?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;start=275&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<h3 id=\"you-can-change-depth-of-field\">You Can Change Depth of Field<\/h3>\n<p>Depth of field is created through a combination of <strong>f-stop<\/strong>, <strong>focal length<\/strong>, and <strong>sensor type<\/strong>. As it stands right now, users can only record a specific depth of field when on set, with very little control over depth of field in the editing bay. If you sit down to edit your project and the depth of field is too shallow, well, you&#8217;re out of luck. But the <strong>Lytro Cinema Camera<\/strong> (and light field technology in general) is going to change all of this.<\/p>\n<p>Using the<strong> Lytro Cinema Camera<\/strong>,<strong>\u00a0<\/strong>users can <strong>adjust the size of their depth of field in post<\/strong>. Specifically this will allow editors to control what is in focus and out of focus, along with the size and shape of the out-of-focus bokeh.<\/p>\n<h3 id=\"adjustable-shutter-speed-and-fps\">Adjustable Shutter Speed\u00a0and FPS<\/h3>\n<p><a href=\"http:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2016\/05\/Shutterspeed.gif\" data-wpel-link=\"external\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-76082\" src=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2016\/05\/Shutterspeed.gif\" alt=\"Shutterspeed\" width=\"755\" height=\"278\" \/><\/a><\/p>\n<p>Needless to say, <strong>frame rate<\/strong> and <strong>shutter speed<\/strong> are important components of the filmmaking process. Most films are shot at 24fps, but using a process referred to as <strong>High Bandwidth Mode<\/strong>, users can adjust both the frame rate and shutter speed of their video in post, as long as it is less than 300fps. This will have huge implications for people who want to<strong> control their motion blur<\/strong> in post.<\/p>\n<h3 id=\"when-can-i-use-it\">When Can I Use It?<\/h3>\n<p>You probably won&#8217;t be using a <strong>Lytro Cinema Camera<\/strong> in the near future.\u00a0Rental packages for the <strong>Lytro Cinema Camera<\/strong> start at $125K, so it&#8217;s safe to say that only <strong>high-end VFX companies<\/strong> will be using this technology for now. However, If you&#8217;ve ever wanted to dip your toes into the exciting world of light field photography, you can actually purchase a <a title=\"Lytro Illum\" href=\"https:\/\/www.google.com\/webhp?sourceid=chrome-instant&amp;ion=1&amp;espv=2&amp;ie=UTF-8#q=lytro%20illum\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"external\">Lytro Illum for around $400<\/a>.<\/p>\n<p><a title=\"Ryan Koo\" href=\"http:\/\/ryankoo.com\/\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"external\">Ryan Koo<\/a> of <a title=\"No Film School\" href=\"http:\/\/nofilmschool.com\/\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"external\">No Film School<\/a> sat down with\u00a0<span style=\"color: #000000;\"><a title=\"Jon Karafin\" href=\"http:\/\/www.imdb.com\/name\/nm1760788\/\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"external\">Jon Karafin<\/a>, the head of Lytro, to discuss the<strong> Lytro Cinema Camera<\/strong> workflow and other related topics. If you&#8217;re into camera technology \u2014 even in the slightest \u2014\u00a0this is a must-watch video.\u00a0<\/span><\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/4qXE4sA-hLQ?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>I also recommend checking out<a title=\"Lytro\" href=\"https:\/\/pictures.lytro.com\/\" target=\"_blank\" rel=\"noopener\" data-wpel-link=\"external\"> Lytro gallery<\/a> where artists from around the world are showcasing their <strong>light field photography\u00a0<\/strong>work.<\/p>\n<p><strong>What are your thoughts on the Lytro Cinema Camera? Is it going to change everything?<\/strong> Share your opinions on the comments below.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The tech behind the Lytro Cinema Camera spells the end of the green screen, fixed shutter speeds, static depth of field, frames per second, and focusing. Seriously.<\/p>\n","protected":false},"author":24,"featured_media":76078,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[4519,3843,715,5340,583],"tags":[536,4001,5174,51,472],"class_list":["post-class-post-74170","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-cinematography-2","post-class-category-filmmaking-2","post-class-category-industry","post-class-category-video-gear","post-class-category-video-production-2","post-class-tag-filmmaking","post-class-tag-light-field","post-class-tag-lytro","post-class-tag-post-production","post-class-tag-video-production"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>This Technology Is Going to Change Filmmaking Forever<\/title>\n<meta name=\"description\" content=\"The Lytro Cinema Camera spells the end of green screen, fixed shutter speeds, static depth of field, frames per second, and focusing. 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