{"id":86915,"date":"2017-02-21T10:00:00","date_gmt":"2017-02-21T16:00:00","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=86915"},"modified":"2017-02-21T11:54:21","modified_gmt":"2017-02-21T17:54:21","slug":"colorizing-old-black-and-white-footage","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/colorizing-old-black-and-white-footage\/","title":{"rendered":"The Magic Behind Colorizing Old Black and White Footage"},"content":{"rendered":"<h2 id=\"get-a-glimpse-behind-the-curtain-and-learn-about-the-magic-art-of-colorizing-old-bw-footage-with-the-digital-color-artist-at-pop-colorture\">Get a glimpse behind the curtain and learn about the magic art of colorizing old B&amp;W footage with the digital\u00a0color artist at POP\u00a0COLORTURE.<\/h2>\n<p><em>Cover image via <a href=\"http:\/\/pop-colorture.tumblr.com\/image\/132276412025\" target=\"_blank\" data-wpel-link=\"external\">POP COLORTURE<\/a>.<\/em><\/p>\n<p>The early days of both <strong>television and film\u00a0<\/strong>were\u00a0only <strong>black and white<\/strong>. Industry professionals <strong>recorded and broadcast information in monochrome,<\/strong>\u00a0which carried only variations in the <strong>tones and contrasts between light and dark areas<\/strong>.<\/p>\n<p>As advances in technology made color a necessity, <strong>black and white television and films became relics of the past<\/strong>. Now, in the digital age, it\u2019s easy to take how far we have come for granted.<\/p>\n<p>Yet, there remain artifacts of a simpler time, a time of <strong>grayscale and celluloid<\/strong>, which we encounter in classic cinema and on late-night TV. For those nostalgic to bring those memories back to life, <strong>the art of colorization<\/strong> has become their greatest\u00a0hope \u2014 championed by an <strong>up-and-coming wave of digital artists<\/strong>.<\/p>\n<h3 id=\"meet-the-digital-colorizing-magician\">Meet the Digital Colorizing Magician<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/OFk524m3pR0?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Meet <strong>Zach Smothers \u2014<\/strong>\u00a0or more importantly, meet his work at <a href=\"http:\/\/pop-colorture.com\/\" target=\"_blank\" data-wpel-link=\"external\">POP COLORTURE<\/a>. Smothers, an avid fan of <strong>retro pop culture<\/strong>, is\u00a0a leader of the <strong>digital colorization movement.<\/strong>\u00a0He pushes for improvements in the quality and efficiency of colorization through <strong>new and improved digital techniques and innovation<\/strong>.<\/p>\n<blockquote><p>&#8220;Colorization in the past was not good. In fact, it was pretty terrible and even today, colorizations are typically flat with little shading and color variation&#8221; <a href=\"http:\/\/universalmonstersuniverse.com\/2016\/07\/06\/from-pop-culture-to-pop-colorture-the-munsters\/\" target=\"_blank\" data-wpel-link=\"external\">(interview with Universal Monsters Universe)<\/a>.<\/p><\/blockquote>\n<p>As you can see in the colorized intro to <a href=\"http:\/\/www.imdb.com\/title\/tt0057729\/\" target=\"_blank\" data-wpel-link=\"external\"><em>The Addams Family<\/em><\/a> above, Smothers&#8217;s\u00a0<strong>digital colorization<\/strong>\u00a0has not only brought out the black-and-white footage&#8217;s colors, it has also given the footage <strong>dynamic contrast<\/strong>\u00a0that seems to <strong>pop back to life<\/strong>.<\/p>\n<h3 id=\"understanding-the-process\">Understanding the Process<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/3t4x7MozAbw?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>If you&#8217;re not a fan of a <strong>magician revealing his tricks<\/strong>,\u00a0it&#8217;d be best to not watch the video above. If you do, you&#8217;ll see that the magic is, in actuality, a<strong> painstaking frame-by-frame process<\/strong>\u00a0that pulls colors out one by one \u2014 by hand.<\/p>\n<blockquote><p>My process is constantly evolving with the goal to increase speed and improve quality. Before <a href=\"http:\/\/www.imdb.com\/title\/tt0057773\/\" target=\"_blank\" data-wpel-link=\"external\"><em>The Munsters<\/em><\/a> opening, I had colorized images and I knew there were more efficient methods for video, but I figured doing at least one frame-by-frame project would be good for me.\u00a0 Now for efficiency, I use motion tracking and rotoscoping to animate color on top of the black and white footage. I\u2019ve timed projects and using motion tracking, I work almost 10 times faster than painting frame by frame (UMU).<\/p><\/blockquote>\n<p>Smothers&#8217;s workflow\u00a0includes\u00a0<a href=\"http:\/\/www.adobe.com\/products\/photoshop.html\" target=\"_blank\" data-wpel-link=\"external\">Adobe Photoshop<\/a>, <a href=\"http:\/\/www.adobe.com\/products\/aftereffects.html\" target=\"_blank\" data-wpel-link=\"external\">After Effects<\/a> and <a href=\"http:\/\/www.imagineersystems.com\/products\/mocha-pro\/\" target=\"_blank\" data-wpel-link=\"external\">Mocha Pro<\/a>. If you&#8217;re interested in his<strong>\u00a0training and technique<\/strong>, he details how he developed his process (which, for the 44-second intro for <em>The Munsters<\/em>, took<strong> 1,317 frames<\/strong>!) in <a href=\"http:\/\/pop-colorture.com\/2015\/11\/23\/bringing-the-munsters-back-from-the-grave\/\" target=\"_blank\" data-wpel-link=\"external\">his blog post here<\/a>.<\/p>\n<h3 id=\"finding-historical-reference-points\">Finding Historical Reference Points<\/h3>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-87050\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2017\/02\/Adams-Family-Set.jpg\" alt=\"adams-family-set\" width=\"755\" height=\"314\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/02\/Adams-Family-Set.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/02\/Adams-Family-Set.jpg?resize=300,125 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/02\/Adams-Family-Set.jpg?resize=277,115 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/02\/Adams-Family-Set.jpg?resize=359,149 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/02\/Adams-Family-Set.jpg?resize=543,226 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/02\/Adams-Family-Set.jpg?resize=560,233 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/02\/Adams-Family-Set.jpg?resize=600,250 600w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/02\/Adams-Family-Set.jpg?resize=150,62 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><em>Image by <a href=\"http:\/\/sundial.csun.edu\/2011\/01\/photographer-richard-fishs-widow-donates-work-for-oviatt-library-exhibition\/\" target=\"_blank\" data-wpel-link=\"external\">Richard Fish<\/a> from the set of The Addams Family compared to how it appeared on TV\u00a0(<a href=\"https:\/\/www.fastcodesign.com\/3021327\/asides\/the-addams-familys-living-room-was-pink\" target=\"_blank\" data-wpel-link=\"external\">via fastcodesign<\/a>).<\/em><\/p>\n<p>Smothers decided to put in this dutiful work out of <strong>love and, in a way, convenience<\/strong>. <em>The Munsters<\/em>, Smothers argues, was not truly intended to be\u00a0<strong>black-and-white<\/strong>\u00a0but was shot that way <strong>due to budgetary concerns<\/strong>.<\/p>\n<blockquote><p>In a 2002 interview, <i>Munsters <\/i>makeup creator Karl Silvera explained, \u201cIt was $10,000 more to do [the show] in color and neither CBS or Universal were willing to pick up that extra $10,000 per segment. That\u2019s why it was shot in black and white.\u201d via <a href=\"http:\/\/www.avclub.com\/article\/fan-went-through-all-trouble-colorizing-munsters-h-231478\" target=\"_blank\" data-wpel-link=\"external\">The AV Club<\/a>.<\/p><\/blockquote>\n<p>As such, only the\u00a0pilot episode and a later film version were shot in color, <strong>which gives colorization artists like Smothers a good point of reference<\/strong>. (You can read about the pilot in more depth <a href=\"http:\/\/frankensteinia.blogspot.com\/2008\/04\/munsters-early-pilot-episode.html\" target=\"_blank\" data-wpel-link=\"external\">here<\/a>.)<\/p>\n<p>Also, as\u00a0noted in <em>The Addams Family<\/em> set photo above,\u00a0<strong>colored set photos<\/strong> for many vintage shows and films can also be useful resources \u2014 which is interesting in itself as black-and-white sets often featured\u00a0<strong>more vibrant sets and props<\/strong> to highlight the distinction\u00a0between <strong>dark and light shading<\/strong>.<\/p>\n<h3 id=\"learning-the-craft\">Learning the Craft<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WWPF6pfOC7I?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>If you&#8217;re interested in <strong>trying your hand at digital colorization<\/strong>, it&#8217;s important to understand <strong>the basics of how color works<\/strong> and the many aspects of<strong> digital color correction and grading<\/strong>. If you take a photo-by-photo approach, using\u00a0programs like Photoshop and learning to create\u00a0a <strong>multi-platform workflow<\/strong> with After Effects and color grading speciality programs like <a href=\"https:\/\/www.blackmagicdesign.com\/products\/davinciresolve\" target=\"_blank\" data-wpel-link=\"external\">DaVinci Resolve<\/a> would be ideal.<\/p>\n<p>Here are some <strong>helpful tutorials and articles<\/strong> to get you started.<\/p>\n<ul>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/basic-properties-color\/\" target=\"_blank\" data-wpel-link=\"internal\">The Basic Properties of Color<\/a><\/li>\n<li><a href=\"https:\/\/www.youtube.com\/watch?v=C2Srw245R7U\" target=\"_blank\" data-wpel-link=\"external\">How to Colorize a Black and White Photo in Photoshop<\/a><\/li>\n<li class=\"post-title\"><a href=\"https:\/\/www.premiumbeat.com\/blog\/davinci-resolve-tutorial-what-are-memory-colors-and-how-are-they-changing\/\" target=\"_blank\" data-wpel-link=\"internal\">DaVinci Resolve: Working with Memory Colors<\/a><\/li>\n<\/ul>\n<hr \/>\n<p><strong>What do you think about the colorization of black and white footage?<\/strong> Let us know in the comments.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Get a glimpse behind the curtain and learn about the magic art of colorizing old B&#038;W footage with the digital color artist at POP COLORTURE.<\/p>\n","protected":false},"author":76,"featured_media":87053,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[5339,79,1],"tags":[],"class_list":["post-class-post-86915","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-color-grading","post-class-category-inspiration","post-class-category-various"],"acf":[],"yoast_head":"<!-- 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