{"id":90819,"date":"2017-06-02T07:00:48","date_gmt":"2017-06-02T12:00:48","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=90819"},"modified":"2017-06-01T15:24:45","modified_gmt":"2017-06-01T20:24:45","slug":"color-correcting-video-lumetri-scopes","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/color-correcting-video-lumetri-scopes\/","title":{"rendered":"Color Grading Footage in After Effects with Lumetri"},"content":{"rendered":"<h2 id=\"learn-how-to-color-correct-your-video-with-the-new-lumetri-scopes-in-after-effects\">Learn how to\u00a0color correct your video with the\u00a0new Lumetri Scopes in After Effects.<\/h2>\n<p><em>Cover image via <a href=\"https:\/\/www.shutterstock.com\/image-photo\/student-computer-learning-education-insight-concept-520592878\" target=\"_blank\" data-wpel-link=\"external\">Shutterstock<\/a>.<\/em><\/p>\n<p>With the addition of <strong>Lumetri Scopes<\/strong> in <strong>After Effects<\/strong>, <strong>color correcting<\/strong> <strong>and grading<\/strong> footage is easier than ever\u00a0for AE users. The update provides the four essential scopes:\u00a0<strong>histogram, vectorscope, parade, and waveform<\/strong>. After Effects users can now accurately match light levels and color information in\u00a0their shots. While\u00a0<strong>DaVinci Resolve<\/strong> and even <strong>Adobe Premiere Pro<\/strong>\u00a0are still the go-to\u00a0options for correcting and grading, video producers who do compositing work can now keep a larger portion of their workflow in<strong> After Effects<\/strong>.<\/p>\n<p>Here&#8217;s what you&#8217;ll take away from our video tutorial:<\/p>\n<ul>\n<li>How to use Lumetri Scopes<\/li>\n<li>What multiple\u00a0color correction filters can do for your footage<\/li>\n<li>Understanding how to\u00a0color correct for skin tones<\/li>\n<\/ul>\n<p>Let&#8217;s get started.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/oUu6aSqe9so?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<h3 id=\"understanding-lumetri-scopes\">Understanding Lumetri\u00a0Scopes<\/h3>\n<p>If you have never used scopes before, here is a quick breakdown of each scope.<\/p>\n<p><strong>The Waveform Monitor<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-90839\" title=\"Color Correcting Video with Lumetri Scopes \u2014 Waveform Monitor\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.03-PM.png\" alt=\"Color Correcting Video with Lumetri Scopes \u2014 Waveform Monitor\" width=\"755\" height=\"254\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.03-PM.png 698w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.03-PM.png?resize=300,101 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.03-PM.png?resize=277,93 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.03-PM.png?resize=359,121 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.03-PM.png?resize=543,183 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.03-PM.png?resize=560,189 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.03-PM.png?resize=150,51 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/p>\n<p>With a typical display of\u00a00-100, the waveform measures your shot&#8217;s data and lays it out across the display. Information at 0 IRE (<a href=\"https:\/\/en.wikipedia.org\/wiki\/IRE_(unit)\" target=\"_blank\" data-wpel-link=\"external\">Institute of Radio Engineers<\/a>)\u00a0is black pixels, or <strong>clipped information<\/strong>. Data that peaks at 100 IRE is white, or <strong>blown-out information<\/strong>. Essentially, the waveform displays the exposure across your shot.<\/p>\n<p>A good rule of thumb when correcting for lighter\u00a0skin tones is to keep the highlights around 70 IRE.<\/p>\n<p><strong>The Vectorscope<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-90840\" title=\"Color Correcting Video with Lumetri Scopes \u2014 Vector Scope\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.57-PM.png\" alt=\"Color Correcting Video with Lumetri Scopes \u2014 Vectorscope\" width=\"755\" height=\"260\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.57-PM.png 677w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.57-PM.png?resize=300,103 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.57-PM.png?resize=277,95 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.57-PM.png?resize=359,124 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.57-PM.png?resize=543,187 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.57-PM.png?resize=560,193 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.11.57-PM.png?resize=150,52 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/p>\n<p>The <strong>vectorscope measures\u00a0chroma<\/strong> in the shot. It displays the\u00a0<strong>red, yellow, green, cyan, blue, and magenta values<\/strong>. Depending on your shot, you&#8217;ll see the data favoring certain areas of the vector. For example, if your shot includes\u00a0a grassy field, the data in the vectorscope will lean heavily toward\u00a0the greens. When you <strong>saturate your image<\/strong>, the data will pull outwards to the edges of the scope.<\/p>\n<p><strong>The Parade<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-90842\" title=\"Color Correcting Video with Lumetri Scopes \u2014 Parade\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.31-PM.png\" alt=\"Color Correcting Video with Lumetri Scopes \u2014 Parade\" width=\"755\" height=\"257\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.31-PM.png 697w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.31-PM.png?resize=300,102 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.31-PM.png?resize=277,94 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.31-PM.png?resize=359,122 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.31-PM.png?resize=543,185 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.31-PM.png?resize=560,190 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.31-PM.png?resize=150,51 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/p>\n<p>The parade is best for\u00a0<strong>correcting multiple shots in the same sequence<\/strong>. The parade usually displays\u00a0in RGB, which shows the dominance of each color. With the parade, you can <strong>easily balance the color<\/strong> in your shot and monitor how it matches up with the other shots in your scene.<\/p>\n<p><strong>The Histogram<\/strong><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-90841\" title=\"Color Correcting Video with Lumetri Scopes \u2014 Histogram\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.23-PM.png\" alt=\"Color Correcting Video with Lumetri Scopes \u2014 Histogram\" width=\"755\" height=\"255\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.23-PM.png 693w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.23-PM.png?resize=300,101 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.23-PM.png?resize=277,94 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.23-PM.png?resize=359,121 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.23-PM.png?resize=543,183 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.23-PM.png?resize=560,189 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/05\/Screen-Shot-2017-05-23-at-10.12.23-PM.png?resize=150,51 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/p>\n<p>Similar to the waveform scope, the histogram displays\u00a0your luma and RGB from 0 IRE to 100 IRE.<\/p>\n<hr \/>\n<h3 id=\"tips-for-great-color-correction\">Tips for Great Color Correction<\/h3>\n<p>Even though you may be a motion graphics artist or a compositor, when you are color correcting and grading footage, you are a colorist. Your job as a colorist is to <strong>put the final touches on the story<\/strong>. Your grade needs to set the final mood and ensure\u00a0that there are no distractions from shot to shot. Scopes make sure your video is good across all displays and that the <strong>end result is broadcast legal<\/strong>. There aren&#8217;t many wrong answers when it comes to grading. It&#8217;s important to <strong>create your style<\/strong> and make sure you deliver what the\u00a0client wants.<\/p>\n<hr \/>\n<p><strong>What&#8217;s your opinion on\u00a0color correcting and grading footage in After Effects?<\/strong>\u00a0Let us know in the comments.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Learn how to color correct your video with the new Lumetri Scopes in After Effects.<\/p>\n","protected":false},"author":100,"featured_media":90902,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[30,5339,92],"tags":[177,649,5375,1093,120,597,536,51,31,153,278,472,844,60],"class_list":["post-class-post-90819","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-after-effects","post-class-category-color-grading","post-class-category-video-tutorials-2","post-class-tag-adobe","post-class-tag-adobe-after-effects","post-class-tag-after-effects","post-class-tag-cinematography","post-class-tag-color-correction","post-class-tag-color-grading-2","post-class-tag-filmmaking","post-class-tag-post-production","post-class-tag-tutorial","post-class-tag-tutorials-2","post-class-tag-video","post-class-tag-video-production","post-class-tag-video-tutorial","post-class-tag-video-tutorials"],"acf":[],"yoast_head":"<!-- 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