In the original\u00a0Indie Filmmaker’s Guide to Recording Audio<\/a><\/em>, the guys at The Film Look<\/a> covered topics like audio levels, microphone position, room tone, and capturing wild takes.<\/strong> You can read more and watch the first five episodes here<\/a>.<\/p>\n In the remaining episodes of this series, The Film Look will talk about working with audio in post<\/strong> \u2014 specifically, capturing foley and mixing sound. Let’s dive in.<\/p>\n Foley is the reproduction of sound effects in post-production. It\u00a0mixes in time-specific sounds<\/strong>, like making sure a tap sounds just as\u00a0a finger hits a table. Mixing in foley is part of a true cinematic experience.<\/p>\n If you don’t have a quiet room to record foley, find a space where\u00a0you can hang some sound blankets and cloth to dampen sound<\/strong>. Then, grab an assortment of props to use to create sounds<\/strong>. Remember, you don’t have to use the exact same dishes or props as you saw\u00a0on set. You are looking to create the perfect sound; it doesn’t have to be an accurate one.<\/p>\n You will need a way to play back a scene so you can time the sound effects<\/strong>, so be sure to have a monitor, laptop, or phone nearby. Then it’s just a matter of recording foley with the right timing.<\/p>\n
\nCapture the Perfect SFX in Post with Foley<\/h3>\n
![\"The](\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2017\/06\/Recording_Foley.jpg\" "\\"The")
<\/p>\n