{"id":98024,"date":"2018-01-15T06:00:50","date_gmt":"2018-01-15T12:00:50","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?p=98024"},"modified":"2018-01-11T12:16:14","modified_gmt":"2018-01-11T18:16:14","slug":"production-tip-reducing-light","status":"publish","type":"post","link":"https:\/\/www.premiumbeat.com\/blog\/production-tip-reducing-light\/","title":{"rendered":"Production Tip: Why Reducing Light Is as Important as Adding It"},"content":{"rendered":"<h2 id=\"knowing-when-to-reduce-light-on-set-is-just-as-important-as-knowing-how-to-set-it-up-lets-take-a-look-at-smart-ways-to-shape-light\">Knowing when to reduce light on set is just as important as knowing how to set it up. Let&#8217;s take a look at\u00a0smart ways to shape light.<\/h2>\n<p><em>Cover image via <a href=\"https:\/\/www.shutterstock.com\/image-photo\/behind-shooting-production-crew-team-silhouette-633480773\" target=\"_blank\" data-wpel-link=\"external\">Shutterstock<\/a>.<\/em><\/p>\n<p>Adding light to a scene is a powerful way to tell a story. However, sometimes\u00a0it&#8217;s even more powerful to <em>take\u00a0light away<\/em>. This can create a\u00a0richer mood, a more cinematic image, and a more intriguing story than you\u00a0first imagined. In this article, let&#8217;s take a look at how to strategically remove some light after you&#8217;ve set up your initial lighting rig.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/WHZjlyXM-o4?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<hr \/>\n<h3 id=\"negative-fill\">Negative Fill<\/h3>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/ATkfFDdzsWs?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;start=129&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Negative fill can be a cinematographer&#8217;s best friend. We often talk about lights and tools to add more light to a scene. However, we often don\u2019t talk about how to control that lighting \u2014 or even take it away, if necessary. Negative Fill is a powerful way to take away light and create more contrast\u00a0to enhance the mood of your film.<\/p>\n<p>We can achieve negative fill using a <a href=\"https:\/\/products.msegrip.com\/collections\/scrims-and-flags\/products\/flags\" target=\"_blank\" data-wpel-link=\"external\">black solid flag<\/a>. These flags come in all sort of sizes and varieties. They can range from an 18&#215;24 all the way up to a 48&#215;48 floppy, which converts to a 48&#215;96. These solids allow you to shape light and create mood. Think of a solid as the exact opposite of a reflector. Instead of adding light into a scene, they can simply take it away and reshape your talent&#8217;s features or remove light from the background.<\/p>\n<hr \/>\n<h3 id=\"nets\">Nets<\/h3>\n<p><a href=\"https:\/\/www.fjwestcott.com\/scrim-jim-cine-8-x-8-single-net-fabric\" target=\"_blank\" data-wpel-link=\"external\">Nets<\/a> are another powerful way to control\u00a0light,\u00a0but less intense than a black solid. Nets, are just that: nets. They\u2019re netted fabric that comes in two different strengths: single and double. Much like <a href=\"https:\/\/en.wikipedia.org\/wiki\/Scrim_(lighting)\" target=\"_blank\" data-wpel-link=\"external\">scrims<\/a> for lighting fixtures, these nets carry one of two labels: red for a double and green for a single. A double (red) takes away one stop of lighting, while a single (green) takes away half a stop. So if you\u2019re looking to lose a stop of exposure on your background to make your talent stand out a bit more, then a double would be just what you need.<\/p>\n<hr \/>\n<h3 id=\"diffusion\">Diffusion<\/h3>\n<p>Diffusion is really more about shaping your light for a desired look than about taking it away. However, I like to think that when filming day exteriors, various diffusion materials act\u00a0in different ways to\u00a0reduce light\u00a0in a scene. Taking away light from a day exterior scene is an important step to\u00a0reducing contrast and\u00a0making the image more pleasing to the eye.<\/p>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2017\/12\/outdoor-lighting.jpg\" target=\"_blank\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-98596 size-full\" title=\"Production Tip: Why Reducing Light Is as Important as Adding It \u2014 Diffusion\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2017\/12\/outdoor-lighting.jpg\" alt=\"Production Tip: Why Reducing Light Is as Important as Adding It \u2014 Diffusion\" width=\"755\" height=\"504\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/12\/outdoor-lighting.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/12\/outdoor-lighting.jpg?resize=300,200 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/12\/outdoor-lighting.jpg?resize=277,185 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/12\/outdoor-lighting.jpg?resize=359,240 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/12\/outdoor-lighting.jpg?resize=543,362 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/12\/outdoor-lighting.jpg?resize=560,374 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2017\/12\/outdoor-lighting.jpg?resize=150,100 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><br \/>\n<\/a><em>Image via <a href=\"https:\/\/www.shutterstock.com\/image-photo\/claremont-av-upper-west-side-new-507501619\" target=\"_blank\" data-wpel-link=\"external\">Shutterstock<\/a>.<\/em><\/p>\n<p>For example, if you were to set up an 8&#215;8 solid and completely block the sun from your talent, this would create a much softer lighting. The reason why is that the ground and\u00a0the surrounding environment have now becomes the sources of reflected lighting, not direct sunlight. If you were to set up two double nets to cut down the sun on your talent, they would still have the same harsh lighting as before. Knowing and understanding how each of your tools works is important because cutting down and taking away the harshness and intensity of the sun is key to creating a cinematic outdoor image.<\/p>\n<hr \/>\n<p>Looking for more\u00a0on lighting? Check out these articles.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/high-key-vs-low-key-lighting\/\" target=\"_blank\" data-wpel-link=\"internal\">What You Need to Know About High Key vs. Low Key Lighting<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/understanding-inverse-square-law-lighting\/\" target=\"_blank\" data-wpel-link=\"internal\">Cinematography Tip: Lighting Your Production with the Inverse Square Law<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/learn-enhance-film-ambient-light\/\" target=\"_blank\" data-wpel-link=\"internal\">Learn How to Enhance Your Film with Ambient Light<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/three-ways-light-tent-scene\/\" target=\"_blank\" data-wpel-link=\"internal\">Three Ways To Light A Tent Scene On a Low Budget<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/shoot-interior-locations-limited-lighting\/\" target=\"_blank\" data-wpel-link=\"internal\">How to Shoot Interior Locations with Limited Lighting<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Knowing when to reduce light on set is just as important as knowing how to set it up. Let&#8217;s take a look at smart ways to shape \u2026<\/p>\n","protected":false},"author":87,"featured_media":98593,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[3843,583],"tags":[536,306,472],"class_list":["post-class-post-98024","post-class-post","post-class-type-post","post-class-status-publish","post-class-format-standard","post-class-has-post-thumbnail","post-class-hentry","post-class-category-filmmaking-2","post-class-category-video-production-2","post-class-tag-filmmaking","post-class-tag-lighting","post-class-tag-video-production"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Production Tip: Why Reducing Light Is as Important as Adding It<\/title>\n<meta name=\"description\" content=\"Knowing when to reduce light on set is just as important as knowing how to set it up. 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