{"id":112967,"date":"2019-04-29T06:00:39","date_gmt":"2019-04-29T11:00:39","guid":{"rendered":"https:\/\/www.premiumbeat.com\/blog\/?post_type=video_tutorial&#038;p=112967"},"modified":"2019-04-30T11:10:21","modified_gmt":"2019-04-30T16:10:21","slug":"filming-windows-daytime-interior-scenes","status":"publish","type":"video_tutorial","link":"https:\/\/www.premiumbeat.com\/blog\/vt\/filming-windows-daytime-interior-scenes\/","title":{"rendered":"How to Properly Film Windows for Daytime Interior Scenes"},"content":{"rendered":"<h2 id=\"balancing-windows-in-interior-locations-can-be-extremely-difficult-heres-how-to-get-the-right-exposure-by-adding-or-reducing-light\">Balancing windows in interior locations can be extremely difficult. Here&#8217;s how to get the right exposure by adding or reducing light.<\/h2>\n<p>Shooting indoors? Capturing windows (and what&#8217;s beyond) can add depth to your scene, but the difference in interior and exterior exposure levels can also ruin a shot entirely. Here&#8217;s what you need to know.<\/p>\n<p><span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" class=\"youtube-player\" width=\"640\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/IWYHJwO9TSg?version=3&#038;rel=1&#038;showsearch=0&#038;showinfo=1&#038;iv_load_policy=1&#038;fs=1&#038;hl=en-US&#038;autohide=2&#038;wmode=transparent\" allowfullscreen=\"true\" style=\"border:0;\" sandbox=\"allow-scripts allow-same-origin allow-popups allow-presentation allow-popups-to-escape-sandbox\"><\/iframe><\/span><\/p>\n<p>Nothing sells the realism of a daytime interior more than being able to see out of a window. This is a challenge as far as cinematography goes because it\u2019s extremely rare that the interior&#8217;s exposure levels match exterior ones.<\/p>\n<p>Once you expose for the typical interior, the outside will be &#8220;hot&#8221; or overexposed. This is something many cinematographers try to avoid because blown-out highlights are one of the key differences between film and digital \u2014 and they immediately kill the cinematic look.<\/p>\n<p>The easiest way to achieve this is to wait until the right time of day when the sun is either rising or setting. The downside of this is that this level will only last for several minutes, and if you want to shoot for longer than that, you will need to find a different solution.<\/p>\n<p>Another way of bridging the gap between exposure is to increase the levels inside until they match those outside. This requires bigger, more-powerful lights, which increases production costs. But the larger downside is that it causes your talent to squint and affects performance. It&#8217;s even worse if you\u2019re shooting an interview, unless you want your subject to look pained and uncomfortable.<\/p>\n<hr \/>\n<h3 id=\"neutral-density-to-the-rescue\">Neutral Density to the Rescue<\/h3>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/04\/ND-filter.jpg\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-113245\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/04\/ND-filter.jpg\" alt=\"\" width=\"755\" height=\"407\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/ND-filter.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/ND-filter.jpg?resize=300,162 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/ND-filter.jpg?resize=277,149 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/ND-filter.jpg?resize=359,194 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/ND-filter.jpg?resize=543,293 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/ND-filter.jpg?resize=560,302 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/ND-filter.jpg?resize=150,81 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p>A third, and perhaps the most widely used solution, is to add neutral density to the windows. This comes in 48- or 60-inch wide rolls, and is available in .3, .6, and .9 strengths, which represent 1, 2, and 3 stops of light loss.<\/p>\n<p>You can hang these outside the window on a C-stand, or if it&#8217;s windy, you can apply them directly to the window with water or adhesive. This takes time, but nothing else will allow you to match exposure inside and outside as easily.<\/p>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/04\/window-nd.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-113247 size-full\" title=\"How to Properly Film Windows for Daytime Interior Scenes \u2014 Window ND\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/04\/window-nd.jpg\" alt=\"How to Properly Film Windows for Daytime Interior Scenes \u2014 Window ND\" width=\"755\" height=\"405\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/window-nd.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/window-nd.jpg?resize=300,161 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/window-nd.jpg?resize=277,149 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/window-nd.jpg?resize=359,193 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/window-nd.jpg?resize=543,291 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/window-nd.jpg?resize=560,300 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/window-nd.jpg?resize=150,80 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p>The rolls aren\u2019t cheap \u2014 at around $100 for 25&#8243; \u2014 but you can also buy a DIY alternative from a hardware store. The downside is that they\u2019re not as color neutral and may tint the light coming from the window.<\/p>\n<hr \/>\n<h3 id=\"make-the-outside-disappear\">Make the Outside Disappear<\/h3>\n<p>If you want a window in your shot, but don\u2019t want to see what\u2019s outside, you can swap the neutral ND for some diffusion, like grid cloth or <a href=\"https:\/\/us.rosco.com\/en\/products\/filters\/e402-soft-frost\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Soft Frost<\/a>. This will cause the window to blow out completely, creating a nice even light from outside.<\/p>\n<p>Depending on the window&#8217;s position relative to the sun, the diffusion may or may not help illuminate your scene. If this is something you want to take advantage of, you can add your own source of illumination, like a daylight-balanced HMI or LED fresnel. This will also allow maintain the same effect inside the location after the sun has gone down.<\/p>\n<p><a href=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/04\/lighting.jpg\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-113248 size-full\" title=\"How to Properly Film Windows for Daytime Interior Scenes \u2014 Lighting\" src=\"https:\/\/www.premiumbeat.com\/blog\/wp-content\/uploads\/2019\/04\/lighting.jpg\" alt=\"How to Properly Film Windows for Daytime Interior Scenes \u2014 Lighting\" width=\"755\" height=\"402\" srcset=\"https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/lighting.jpg 755w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/lighting.jpg?resize=300,160 300w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/lighting.jpg?resize=277,147 277w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/lighting.jpg?resize=359,191 359w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/lighting.jpg?resize=543,289 543w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/lighting.jpg?resize=560,298 560w, https:\/\/vip-go.premiumbeat.com\/wp-content\/uploads\/2019\/04\/lighting.jpg?resize=150,80 150w\" sizes=\"auto, (max-width: 755px) 100vw, 755px\" \/><\/a><\/p>\n<p>Illuminated diffusion on the outside of the windows is a beautiful effect, and you can see it in many scenes when the filmmakers are trying to keep the focus on what\u2019s happening inside the room, rather than on the character&#8217;s connection to the world outside. <a href=\"https:\/\/www.imdb.com\/title\/tt0443272\/?ref_=fn_al_tt_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Lincoln<\/em><\/a> used this technique in the majority of its locations, as did the recent <a href=\"https:\/\/www.imdb.com\/name\/nm0292132\/?ref_=nv_sr_1?ref_=nv_sr_1\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Greig Fraser<\/a>-lensed <a href=\"https:\/\/www.imdb.com\/title\/tt6266538\/?ref_=nm_knf_i4\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\"><em>Vice<\/em><\/a>.<\/p>\n<p>By adding or reducing light from windows, you\u2019ll have more control over your daytime interior scenes, and you&#8217;ll be able to deliver an ambience that will better serve your story.<\/p>\n<hr \/>\n<p>Interested in the tracks we used to create this video?<\/p>\n<ul>\n<li>&#8220;<a href=\"http:\/\/bit.ly\/2IWv8P4\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Oceanfront<\/a>&#8221; by Vincent Tone<\/li>\n<li>&#8220;<a href=\"http:\/\/bit.ly\/2GEiIsb\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"external\">Positive Day On<\/a>&#8221; by Make Music<\/li>\n<\/ul>\n<p>Looking for more video tutorials on filmmaking and video production? Check these out.<\/p>\n<ul>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/8-bit-motion-graphics-after-effects\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Learn to Create Your Own 8-Bit Art in Adobe After Effects<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/tips-for-better-slow-motion-video\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Simple Tips on How You Can Capture Better Slow-Motion Video<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/alter-video-color-lumetri-curves\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">How to Alter the Color of Your Video Using Lumetri Curves<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/video-tutorial-premiere-freeform-view\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">Video Tutorial: How to Use Premiere&#8217;s New Freeform View<\/a><\/li>\n<li><a href=\"https:\/\/www.premiumbeat.com\/blog\/tutorial-create-double-exposure-effect\/\" target=\"_blank\" rel=\"noopener noreferrer\" data-wpel-link=\"internal\">How to Create the Double Exposure Effect in Four Manageable Steps<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Balancing windows in interior locations can be extremely difficult. Here&#8217;s how to get the right exposure by adding or reducing light.<\/p>\n","protected":false},"author":158,"featured_media":113242,"comment_status":"open","ping_status":"closed","template":"","categories":[4519,21,5340,92],"tags":[1093,536,472,60],"class_list":["post-class-post-112967","post-class-video_tutorial","post-class-type-video_tutorial","post-class-status-publish","post-class-has-post-thumbnail","post-class-hentry","post-class-category-cinematography-2","post-class-category-tutorials","post-class-category-video-gear","post-class-category-video-tutorials-2","post-class-tag-cinematography","post-class-tag-filmmaking","post-class-tag-video-production","post-class-tag-video-tutorials"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v18.5 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>How to Properly Film Windows for Daytime Interior Scenes<\/title>\n<meta name=\"description\" content=\"Balancing windows in interior locations can be extremely difficult. 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