{"id":50496,"date":"2015-02-20T01:00:15","date_gmt":"2015-02-20T01:00:15","guid":{"rendered":"http:\/\/www.premiumbeat.com\/blog\/?post_type=video_tutorial&p=50496"},"modified":"2015-02-20T15:49:12","modified_gmt":"2015-02-20T15:49:12","slug":"working-with-red-rmd-in-premiere-pro-cc","status":"publish","type":"video_tutorial","link":"https:\/\/www.premiumbeat.com\/blog\/vt\/working-with-red-rmd-in-premiere-pro-cc\/","title":{"rendered":"Working With RED RMD in Premiere Pro CC"},"content":{"rendered":"

Loading RED RMDs in Premiere Pro CC is simple. We’ll show you how to do it in 5 easy steps.<\/h2>\n

I’m always looking for ways to streamline my production process. When shooting with RED cameras I found\u00a0that my post-production workflow was\u00a0less than ideal. I’ve always favored using REDCine-X Pro<\/a><\/strong> to color correct my RED footage. The program is simple and being able to save the RMD (RED Metadata) is tremendously helpful…that is, until you take it into Premiere Pro CC.<\/p>\n

Premiere Pro CC<\/a>\u00a0overwrites the metadata and applies a default adjustment. Because of this, you have to go into the “Source Settings” for each .R3D and reload the RMD once you have made your adjustments in REDCine-X Pro<\/strong>. For the longest time I would have to go into each file and select “Source Settings” then reload each RMD. This was cumbersome and extremely time consuming.<\/p>\n

Then in 2012,\u00a0Angelo Lorenzo<\/a> from Fallen Empire Digital<\/a>\u00a0came out with a handy batch utility<\/a> that could be used with Premiere, allowing editors to apply RMD adjustments to multiple files at once. By cutting out the extensive time it took apply adjustments to each and every file you could get on with the editing process much quicker.<\/p>\n

Luckly for us, Adobe caught wind of this need and added this functionality in Premiere. To show you how to do it, we’ll run through the entire process in 5 easy steps.<\/p>\n

RMD Workflow: STEP 1<\/h3>\n

Open<\/strong> your R3D<\/strong> files in REDCine-X Pro<\/strong> and make your color correction adjustments.\u00a0You can download REDCine-X Pro for free here<\/a>.<\/p>\n

\"RED<\/a><\/p>\n

RMD Workflow: STEP 2<\/h3>\n

Save<\/strong> your adjustments as RMD<\/strong> in REDCine-X Pro<\/strong>.<\/p>\n

\"RED<\/a><\/p>\n

RMD Workflow: STEP 3<\/h3>\n

Import your footage into Premiere Pro CC using the Media Browser<\/strong>, or through File<\/strong>\u00a0>\u00a0Import<\/strong>.\u00a0Media Browser shown below.<\/em><\/p>\n

\"RED<\/a><\/p>\n

RMD Workflow: STEP 4<\/h3>\n

Highlight<\/strong> all of your imported R3D<\/strong> footage,\u00a0right-click<\/strong> and select “Source Settings”<\/strong>.<\/p>\n

\"RED<\/a><\/p>\n

RMD Workflow: STEP 5<\/h3>\n

In the window pop-up click “Reload from RMD”<\/strong> and you’re\u00a0done.<\/p>\n

\"RED<\/a><\/p>\n

You will\u00a0now notice that all of your R3D footage is color corrected based on the adjustments you made in REDCine-X Pro. Utilizing this process has really made my RED-to-post\u00a0workflow<\/strong>\u00a0more efficient. Hopefully\u00a0it will do the same for you.<\/p>\n","protected":false},"excerpt":{"rendered":"

Loading RED RMDs in Premiere Pro CC is simple. We’ll show you how to do it in 5 easy steps.<\/p>\n","protected":false},"author":39,"featured_media":50502,"comment_status":"closed","ping_status":"closed","template":"","categories":[714,21],"tags":[178,3613,3614,970,1711,3612],"class_list":["post-class-post-50496","post-class-video_tutorial","post-class-type-video_tutorial","post-class-status-publish","post-class-has-post-thumbnail","post-class-hentry","post-class-category-premiere-2","post-class-category-tutorials","post-class-tag-adobe-premiere-pro","post-class-tag-batch","post-class-tag-premiere-pro-workflow","post-class-tag-red-workflow","post-class-tag-redcine-x-pro","post-class-tag-rmd"],"acf":[],"yoast_head":"\nWorking With RED RMD in Premiere Pro CC<\/title>\n<meta name=\"description\" content=\"Loading RED RMDs in Premiere Pro CC is simple. 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