Posts Tagged ‘ProRes 4444’
With cameras like the ARRI ALEXA and Blackmagic URSA offering both ProRes 4444 and RAW capabilities, many shooters are torn between the two formats. Are their differences even worth stressing about?
ProRes has gained in popularity as an intermediate codec. In this post we share tips for using ProRes in your video workflow.
Learn how to export footage from Final Cut Pro X with a preserved alpha channel! Great for taking your footage into other applications, such as Motion and After Effects, for compositing and graphics work.