Noam Kroll
5 Invaluable Tools Every Director Should Have On Set
These five tools are must-haves for any up-and-coming director.
DaVinci Resolve Tip: Use Color Keys to Fix White Balance
Fixing color issues when working with mixed color temperature footage can be simplified utilizing color keys in DaVinci Resolve.
Tips for Traveling With Your Production Gear
Traveling with film production equipment can be daunting, but these tips will help you move efficiently and keep your gear protected.
A Short Video Comparing Blackmagic’s URSA Mini 4.6K and the ARRI ALEXA
The Blackmagic URSA Mini 4.6K has been generating a lot of buzz lately. Many filmmakers are eager to see how the camera stacks up to the ARRI ALEXA. In this video clip, we’ll finally get a taste of how the two cameras compare.
Create A Campfire Flicker With These 3 Inexpensive Tools
Buying or renting a flicker box to create a firelight effect is very effective, but it can also be quite costly. This DIY approach will cost you far less and will yield just as strong results.
5 Creative Lessons You Can Learn By Creating Corporate Video
Many filmmakers shoot corporate content in between personal projects, but it’s rare that they take any insight learned from corporate projects and apply it to their creative work as well. Here are five creative lessons you can take from corporate video work.
3 Advantages Sony’s New UMC-S3C Has Over the Competition
There’s been no shortage of ultra-high-sensitivity cameras released over the last year, but Sony’s latest offering — the UMC-S3C — might just have the competition beat.
Light Meters 101: Why You Should Use One for Video Projects
Despite modern innovations, a dedicated light meter is still the best way to ensure consistent and high quality results on your video projects.
The Basics of Building a Color Correction Suite
Working with color takes more than just the right software. Here are three tips for building a color correction suite that will improve your output.
Removing Black Sun Spots in DaVinci Resolve
When shooting directly at the sun, some digital cinema cameras suffer from the “black sun effect,” which can leave a nasty-looking hole in your image. Here’s how to fix it in DaVinci Resolve.
Customize Default Effects in Final Cut Pro X
Apple’s recent Final Cut Pro X update includes a new feature that allows users to assign default audio and video effects to their clips using a simple keyboard shortcut. Let’s take a look at how it works.
How to Use False Color to Nail Skin Tone Exposure
False color is one of the most effective exposure tools for digital cinematography out there. This quick tip explains how to understand your false color readout to achieve perfect exposure.