We’ve got the latest announcements, interviews and event info for professional video production and post-production.
In this article, we present some industry tips on how to “script” your documentary project before you actually dive into production.
Being the director and the DP of your next film may sound like the perfect way to control your budget and your creative vision, but is it …
RAW footage wasn’t a video production option until a little more than a decade ago. Let’s take a look at how the industry got to where it …
In this latest gear round-up, we cover the best mirrorless cameras for film and video professionals currently on the market.
Learn what gear professional digital imaging technicians keep in their kits, and check out some affordable ideas for your own.
According to the rumor mill, Canon is making some big leaps with some new mirrorless cameras. Here’s everything we know so far.
Slow graphics performance got you down? Well, thanks to Blackmagic you can go ahead and just plug in a much much better GPU — externally and affordably.
In which we chat with filmmaker and producer Toby Halbrooks about producing A Ghost Story, Never Goin’ Back, and The Old Man & the Gun.
We talked to filmmaker-turned-comic-book-writer David Avallone about what filmmakers can learn from the comic book industry.
We chatted with filmmaker Wendy McColm about writing, directing, and performing in her award-winning feature Birds Without Feathers.
Edits are cuts in the “reality” of a film or television show, so they should be jarring. So why don’t we really notice them?
The new Apple ProRes RAW codec family promises to bring the high-performance, low-data rates of ProRes to your RAW workflows.