Posts Tagged ‘Post Production’
Super 16mm film offers a distinct and beautiful look that can be hard to replicate digitally. Here’s what you need to know in order to achieve the S16 look when shooting on a digital cinema camera.
Color correction can be a very frustrating process for those without much post-production experience, but using a color chart on set can make things much easier in DaVinci Resolve.
Add subtle animation and bring your designs to life with the Puppet tool in After Effects. Here’s everything you need to know.
Although many software platforms have the capability to edit and color RAW media natively, sometimes Photoshop might be the best tool for the job.
This rarely used feature in FCPX will help significantly reduce your editing time on projects with heavy amounts of b-roll.
The creative process can be an absolute grind when trying to develop a film or video project. Let these production videos stoke your creative fires!
Mixing and matching ADR with location audio can be very challenging, but these audio editing tips will help you get much better results every time.
Do you need to transcode your AVCHD media when editing in Premiere Pro? Let’s discuss this highly debated topic.
DCPs are in higher demand than ever before, but they are also far more accessible than ever. You now have several options for creating a full fledged Digital Cinema Package right from your own computer at a fraction of the cost of a post-house.
At the moment, 4K might seem excessive, but it will make your life a lot easier in post-production with the added flexibility it offers. Let’s see how.
DaVinci Resolve may be known as one of the world’s best color grading platforms, but its compositing/chroma key tools are just as impressive.
Lookup tables are one of the most useful tools for editors, colorists, and DPs alike. Here’s how you can generate LUTs in Photoshop in a pinch.