Some of the most successful DPs are using tungsten on some of the biggest productions, and for reasons that might surprise you.
Dutch angles, if used discreetly, add an aura of dread, as well as a sense that the world has gone askew. Let’s take a look at how …
In this article, we’ll look at resources for finding locations, and how to put the most “money on the screen” — not in the pockets — of …
Is it time to consider upgrading to a full-frame cinema workflow? In this article, we’ll look at the advantages and disadvantages of upgrading sensor size.
Shooting in natural light, outdoors, can often be a limiting experience. Introducing the space light — a great alternative to outdoor lighting.
In this article, we’ll examine the EVF, its usability pros and cons, and the best options for an indie filmmaking budget.
The Mini MAX is a great option to lighting a scene, giving the actors and camera the freedom to move and shoot at almost 360 degrees.
This article takes a look at the digital side of the film world, the importance of film grain, and the evolution of getting that “cinematic” look.
In this review, we’ll take a look at the set.a.light pre-visualization program, its virtual assets and limitations, and how to use it.
We’re going to use DaVinci Resolve to get balanced, glowing skin tones in just a few easy steps — without affecting your other edits.
In this article, we’ll discuss the innovative “cove lighting” style of award-winning Cinematographer Roger Deakins and how he uses it.