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These are the steps that take Hollywood films from the green screen to the big screen.
The tech behind the Lytro Cinema Camera spells the end of the green screen, fixed shutter speeds, static depth of field, frames per second, and focusing. Seriously.
Walter Murch’s work as a film editor and sound designer is vital to the history of cinema and he has some serious wisdom to impart to any film and video maker.
Fixing color issues when working with mixed color temperature footage can be simplified utilizing color keys in DaVinci Resolve.
From snapping celery stalks to slapping phone books, learn how foley artists use everyday objects to create realistic sound effects in film.
Working with color takes more than just the right software. Here are three tips for building a color correction suite that will improve your output.
When shooting directly at the sun, some digital cinema cameras suffer from the “black sun effect,” which can leave a nasty-looking hole in your image. Here’s how to fix it in DaVinci Resolve.
Apple’s recent Final Cut Pro X update includes a new feature that allows users to assign default audio and video effects to their clips using a simple keyboard shortcut. Let’s take a look at how it works.
Anamorphic footage has become synonymous with the “Hollywood” look, which has many independent filmmakers using anamorphic lenses as a means to add production value to their projects. Here’s how you can too.
The Sony a7S II is one of the most popular mirrorless cameras on the market for video, but it calls for some extra color grading in post to get the footage looking just right. Here’s how you can get great results.