Posts Tagged ‘RED Digital’
ARRI was the camera of choice for a majority of the 2015 Oscar nominees, while RED was noticeably absent for the second straight year. Let’s take a look at the major award categories and see who shot on what.
With NAB 2015 on the horizon RED releases a little news about it’s newest upgrade titled “Weapon”
We rundown three RED Camera load-out options for filmmakers with any budget.
RED releases an EPIC Monochrome camera for high end film production. In this post, we show you how to work with this footage in your video editing and post production workflows.
Final Cut Pro X now supports native support for RED camera files. In this quick video tutorial discover a FCPX RED workflow, including how to import and modify .R3D files and using a RED Rocket card for best performance.