Using offline clips is important when establishing yourself as a serious colorist. Learn how in this DaVinci Resolve Tutorial.
Experienced colorists can pull fast keys to ensure sessions moves at a fast pace. Here are a couple of actionable tips to make sure your keys are effective.
More than just a mouse alternative, a stylus may actually improve your work – especially in regards to video editing, compositing, motion design and color grading.
Here’s Part 2 of our peek into getting retro-cool Instagram looks in DaVinci Resolve.
Popular photo-manipulation apps like Instagram have built-in filters to jazz up normally mundane shots. These looks can be created in DaVinci Resolve, giving your video projects a hip, trendy feel.
Use Remote Grades is a simple but powerful feature that remains a bit hidden in Resolve’s current form. Let’s learn how to access and use it.
Create extreme color looks in DaVinci Resolve. In this post we share a technique for achieiving the stylized bleach bypass look, reminsent of films like 300 and Sin City.
A golden, sunkissed look is something all colorists should have in their toolbox. In this post we explore a range of grading options to get this effect.
It’s important for production personnel to know how footage should best be readied for post production. In this post, we share actionable tips for optimizing your shoots for post.
Is grainy footage ruining your project? Neat Video packs a powerful punch for reducing grain and noise in footage. In this post we’ll show you how to get the most out of it in your projects.
The isolated color look is a unique color grading look used to great effect in movies like Pleasantville and Sin City. It involves keeping one or several colors intact while completely or partially desaturating the rest of the image. Let’s jump into a one-color grade in DaVinci Resolve.
DaVinci Resolve has a little-known tool known as Split Screen which can be useful at various points in your color grading sessions.