The professional color work of Colin Travers can be seen in everything from TV spots to full-length features. Here’s his take on the industry.
Rockstar pro colorist Mark Todd Osborne shares stories and insight from his celebrated career in color. If you want to know how to break into the big leagues, start here.
Removing unused clips from a large media pool makes any DaVinci Resolve project easier to manage, but how do you know what’s being used and what isn’t?
What does it take to break into the big leagues? Are there advantages to working freelance versus taking a job at a big color house? Gain real-world insight from professional colorist Rob Bessette.
We sat down with colorist Patrick Inhofer to discuss his color grading process and how new colorists can jump into the color industry.
We interviewed pro colorist Alexis Van Hurkman and asked him to share how an aspiring colorist can tap into the competitive world of color grading.
Compound clips are a great way to group multiple clips together in DaVinci Resolve. Here’s how to use them.
DaVinci Resolve 12 debuts the Smooth Cut transition, mimicking Premiere’s Morph Dissolve tool. Interview editing has never been easier.
Power windows can now be converted to Bezier curves in DaVinci Resolve 12. Learn how to use this timesaving feature.
In a fast-paced session, it’s easy to lose track of each node’s function in the tree. DaVinci Resolve 12’s compound nodes offer a solution.
DaVinci Resolve’s Scene Cut Detection function chops a single file into multiple shots. Here’s how to how to use this time-saving feature.
The green tint of the Matrix universe drips with dystopian atmosphere. Learn how to achieve this look in DaVinci Resolve.