Posts Tagged ‘davinci’
Create extreme color looks in DaVinci Resolve. In this post we share a technique for achieiving the stylized bleach bypass look, reminsent of films like 300 and Sin City.
A golden, sunkissed look is something all colorists should have in their toolbox. In this post we explore a range of grading options to get this effect.
With an abundance of color software options more and more filmmakers, DPs, and editors are able to properly color their footage without breaking the bank.
The isolated color look is a unique color grading look used to great effect in movies like Pleasantville and Sin City. It involves keeping one or several colors intact while completely or partially desaturating the rest of the image. Let’s jump into a one-color grade in DaVinci Resolve.
DaVinci Resolve has a little-known tool known as Split Screen which can be useful at various points in your color grading sessions.
If you’re regularly experiencing dropped frames and sluggish performance, Resolve has a Render Cache feature that renders corrections for smoother playback.
Better control your project’s workflow and delivery by tweaking the options available in Resolve’s ‘Deliver’ window.
There’s one DaVinci Resolve feature that I keep in my back pocket for dealing with footage with messy blacks. In this video tutorial learn Chroma Dark!
Every director of photographer should be skilled at color grading. In this post, we make the case for a multi-faceted approach to cinematography.
Check out this useful video tutorial that shows you how to copy tracking data across multiple nodes in DaVinci Resolve 9.
Tangent introduces their Element control panel line…a modular surface for color correction and professional post production work. Economically priced, slim-line designed and highly customizable, the Element appears to signify a step ahead for post-production control surfaces.