We’ve got the latest announcements, interviews and event info for professional video production and post-production.
We chatted with filmmaker Wendy McColm about writing, directing, and performing in her award-winning feature Birds Without Feathers.
Edits are cuts in the “reality” of a film or television show, so they should be jarring. So why don’t we really notice them?
The new Apple ProRes RAW codec family promises to bring the high-performance, low-data rates of ProRes to your RAW workflows.
In this industry interview, we go behind the scenes with Steve Hibbert on Pulp Fiction’s Most Famous Small Role: The Gimp.
It’s easy to learn but extremely difficult to master. The interview setup is the bread and butter of any cinematographer’s repertoire.
Here are ten must-know tips for getting your film or video project into a film festival — and what to know before your film screens.
From Jurassic Park to Dietland, the films that producer Bonnie Curtis has worked on have yielded valuable lessons. We talk about what she’s learned.
We sat down with Nathan Barr for a conversation about composing sound tracks for films — and how a composer fits into the overall production crew.
Instagram has just announced a new addition to its platform for hosting up to hour-long videos. Here’s what it means for content creators.
Adobe is changing the game for video content creators with Project Rush — a unified workflow solution integrating the Creative Cloud anywhere you need it.
We spoke with the creator of The Film Collaborative about how filmmakers can retain their rights and get their films seen.
Ever wonder what a Digital Imaging Technician (DIT) is, and what they do? In this article, find out everything you need to know about this important role.