Paula Goldberg
Nine Inch Nail’s Charlie Clouser’s Stock Logic Plugins for Horror Films
PremiumBeat got all the gory details of how Clouser generates his inventive scores using synth, instruments, effects, and processing plugins.
Previsualizing: How “Cobra Kai” Gets Stunts Right Before the First Punch
For stunt coordinators like Hiro Koda and Jahnel Curfman, previsualization is essential to the reality and safety of dynamic fight sequences.
Why It Doesn’t Matter That WW84 Failed at Storytelling
The Wonder Woman journey has been a long and arduous one. Let’s take a look at her history and what brought WW84 to the big screen.
Why Every Good Action Film Is Actually a Love Story
From platonic love to romance, Raiders to Terminators, learn why our favorite action-based films are really stories about love.
An Interview with Michael Pessah, ASC, on Filming a Beach Night Exterior
Cinematographer Michael Pessah discusses the lighting, camera, and overall planning it took to pull off shooting a beach night exterior. Smiley Face Killers is a treatise in …
Industry Insights: An Interview with Composer Guillaume Roussel
From the talkies to virtual reality, composer Guillaume Roussel talks with PremiumBeat about his process when scoring a film.
Tips and Tricks for Making a Film with Zoom Technology
Let’s explore the important elements you’ll need to know to make a successful short film using Zoom technology.
An Insider’s Guide to What Makes Good Reality TV
With hours of footage to whittle down identifying conflict and character development, we went to Emmy Award-winning editor Katherine Griffin for insight.
How Creatives Use Video Collaboration Apps During Lockdown
Even in times like these, the show must go on. Let’s have a look at the video collaboration apps that creatives use while working from home.
The High-Octane Production of “Guns Akimbo” on a Limited Budget
Cinematographer Stefan Ciupek gave us the lowdown on the visual language, lenses, and filming locations behind Guns Akimbo.
Art Director Adam Rowe on Creating the Production Designer’s Vision
We sat down with art director Adam Rowe to discuss his vision of success in the industry — inspiration, process, and hard work.
The Prototype Rigging of Vintage Lenses in “Ford v Ferrari”
How the filmmakers involved with Ford v Ferrari rigged custom vintage lenses to achieve the gritty look and feel of the 1966 Le Mans car race.