Premium Beat had the opportunity to go behind the paint with Kaela Dobson to discuss her approach to people and projects.
Premium Beat sat down with Brian H. Kim of BH90210, Hello, My Name is Doris, and G.B.F. to gain a unique perspective on working in these transverse …
PremiumBeat talked with this versatile designer about the process and people involved in creating the look and feel of very different properties.
Premium Beat sat down with this seasoned pro to explore his process, working relationships, and the challenges involved in sound design.
Editor Tom Jarvis spoke with PremiumBeat on working The Late Late Show with James Corden and that special “Carpool Karaoke” segment with a childhood idol.
Premium Beat stepped behind the lens with Cinematographer Michael Franks to discuss his insight on technology, and how to create the cinematic look.
PremiumBeat sat down with composer Austin Wintory to discuss his latest project — a collection of his successful failures.
Emmy-nominated editor and filmmaker Vera Drew sat down with PremiumBeat for a look into her work on “Who is America?” and more.
In The Push, Grant Korgan explores the power of possibility through positivity, and shared with Premium Beat the insight gained through loss.
Editor Matt Friedman cuts to the chase on working with Lulu Wang and Awkwafina — and the importance of nailing multicultural projects.
From The Man in the High Castle to Happy!, Cinematographer Gonzalo Amat shares the who, what, and why behind the production’s creative choices.
Composer Chad Cannon talks about his work, including the first project from Barack and Michelle Obama’s Higher Ground Productions, American Factory.