Fixing color issues when working with mixed color temperature footage can be simplified utilizing color keys in DaVinci Resolve.
Traveling with film production equipment can be daunting, but these tips will help you move efficiently and keep your gear protected.
The Blackmagic URSA Mini 4.6K has been generating a lot of buzz lately. Many filmmakers are eager to see how the camera stacks up to the ARRI ALEXA. In this video clip, we’ll finally get a taste of how the two cameras compare.
Buying or renting a flicker box to create a firelight effect is very effective, but it can also be quite costly. This DIY approach will cost you far less and will yield just as strong results.
Many filmmakers shoot corporate content in between personal projects, but it’s rare that they take any insight learned from corporate projects and apply it to their creative work as well. Here are five creative lessons you can take from corporate video work.
There’s been no shortage of ultra-high-sensitivity cameras released over the last year, but Sony’s latest offering — the UMC-S3C — might just have the competition beat.
Despite modern innovations, a dedicated light meter is still the best way to ensure consistent and high quality results on your video projects.
Working with color takes more than just the right software. Here are three tips for building a color correction suite that will improve your output.
When shooting directly at the sun, some digital cinema cameras suffer from the “black sun effect,” which can leave a nasty-looking hole in your image. Here’s how to fix it in DaVinci Resolve.
Apple’s recent Final Cut Pro X update includes a new feature that allows users to assign default audio and video effects to their clips using a simple keyboard shortcut. Let’s take a look at how it works.
False color is one of the most effective exposure tools for digital cinematography out there. This quick tip explains how to understand your false color readout to achieve perfect exposure.
Capturing the action at a sporting event can be challenging. Set yourself up for victory by choosing the right lens for shooting live sports.