Learn how to frame a Medium Shot the Roger Deakins way. Break down the work of a twelve-time Oscar nominee by learning the difference between a Medium …
Safety is the first concern when dealing with stunts on set. Let’s look at various ways to pull off a professional-grade stunt via a long lens.
Let’s have a look into the beautiful compositions and overblown haloes of cinematographic Robert Richardson and his main cinematography principle.
Rodrigo Prieto is one of the most successful and awarded DPs, having shot films with Martin Scorsese. Let’s discuss the enigma of his cinematographic style.
These three variable ND filters are tried and true, helping you control exposure under the harshest light possible. They also won’t break the bank.
One of the best ways to improve your cinematography is to learn from some of the masters. Let’s deep-dive into Bradford Young’s work to explore his approach …
In this video tutorial, we’ll take a look at the new Lens Distortion plugin from Red Giant for After Effects. Let’s see it in action right here.
Let’s explore one of the core issues of a film’s cinematography — color scheme. A film’s color scheme sets the tone, emotion, and complexity of the film.
Check out the best wide-angle camera lenses for beautiful cinematography in tight areas, that won’t break the bank. Let’s see why these cameras are so good!