Posts Tagged ‘Avid’
Avid Media Composer’s ScriptSync (by Nexidia) is one of the most talked about features of any editing software—it has totally revolutionized script-based editing. This tutorial is the second part in a two-part series to explain how to use this incredible tool!
Avid Media Composer’s ScriptSync (by Nexidia) is one of the most talked about features of any editing software—it has totally revolutionized script-based editing. This tutorial is the first part in a two-part series to explain how to set up your script in preparation for editing with ScriptSync!
Learn how to create a smooth, defined ending for any music track, regardless of length. This editing trick gives your project a professional feel, providing closure and finality to the end of any scene or sequence!
News coming from the IBC Conference in Amsterdam is showing that Apple’s competitors in the video editing world—Adobe and Avid—are pleased with their software sales following the release of Final Cut Pro X.
Bins chock-full of clips can be daunting when you’re trying to find just the right shot. In Part 1 of this two-part tutorial series, we learned how to create custom column information to help narrow down clip information. Now, in Part 2, we’ll take a look at how to sort and custom sift to really burrow down to exactly what we want to find.
Sometimes, the most important information you can generate about your clips is the user data that you define. In Part 1 of this two-part tutorial series, find out how to create custom columns and save your custom bin views in Avid Media Composer.
Inserting video inside of titles in Avid Media Composer is a cinch, and can add pizazz to any project. Check out this tutorial for this fun technique!
Create hundreds of titles in just moments by tapping into the extreme power of Avid Marquee’s AutoTitler. Using just a simple title template and an external text document, you can streamline this otherwise tedious process of lower third creation.
In the past, one feature that many Avid editors have missed when moving to Final Cut Pro is the lack of one-button Top and Tail editing. Top and Tail editing allows you to instantaneously extract either the beginning or end of a clip, which is a great way to quickly assemble B-roll. This feature has now been added to FCP X — check out this tutorial to find out more!
Keyframing audio—otherwise known as rubber banding—is a fairly standard procedure in Avid Media Composer, as it allows you to easily raise and lower your audio levels within the boundaries of clips in your Timeline. This tutorial will go over the basics of how to perform rubber banding, as well as some useful tips for quick audio keyframe manipulation.
Avid Media Composer contains many complex manual color correction tools that require deep knowledge of various video scopes and proper color correction workflow. It also contains several useful automatic color correction tools that can help you arrive at correct luma and chroma levels. Check out this tutorial for tips on how to use these automatic color correction controls.
Working in today’s world of dozens of different video formats can often be a difficult business; you’re constantly having to negotiate different video sizes and aspect ratios when combining them in the same project. This video tutorial will discuss several of the various reformat effects—the 16:9 and 4:3 letterbox effects, as well as the Pan and Scan effect—which you can use to bring all the clips in your sequence to a single aspect ratio.