From mercurial detectives to mysterious widows, Dominik Scherrer has worked on projects of all types. We sat down to talk process, influences, and advice.
Whether it’s spending time with devil worshipers or the angelic Mr. Rogers, editor Aaron Wickenden always finds a haunting and lovely truth in his work.
We sat down with international composer Herdís Stefánsdóttir for some insight into her influences, working process, and creative world.
Miles Hankins offers insight into composing for film and television — as well as collaborating with musicians around the world.
We had a conversation with costume designer Catherine Ashton about her approach to each character — from color to texture to how emotion influences style.
Production Designer Melanie Jones discusses working low-budget on “Whiplash,” the color palette of “La Llorona,” and recreating the ’80s with Mötley Crüe.
We spoke with composer David Norland for some insights into his recent work on “My Dinner with Herve” and how it fits into the range of projects …
Composer Jacob Yoffee may have grown up around the globe, but it’s been the universal language of music that has kept him grounded and connected.
We went in-depth and behind the scenes with Nena Erb, the editor of Insecure, Crazy Ex-Girlfriend, and Project Greenlight.
We sat down with Joanie and Steve Wynn and Jeff Sandmann for some insight into making meaningful documentaries — and how to find motivation.
What do Veep, The Good Place, Arrested Development, and Northern Exposure all have in common? David Schwartz — one very savvy composer.
From “Car Wash” to “Thirtysomething,” actor and director Melanie Mayron has appeared in a number of iconic film and TV roles.