Posts Tagged ‘Academy Awards’
Editor Jin-mo Yang shares with us why he still uses Final Cut Pro 7 and his approach to editing the multi-genre, Golden Globe-winning film Parasite.
Behind-the-scenes filmmaking advice, gear, and workflows from the newest Oscar winners.
ARRI was the camera of choice for a majority of the 2015 Oscar nominees, while RED was noticeably absent for the second straight year. Let’s take a …
Oscar nominated film editors share their insight and experiences in cutting the year’s best films.