These FREE LUTs are perfect for professional video editors. Make your footage more cinematic with these free color grading tools.
Filmmakers with limited budgets can often benefit from using mirror kits on set as a means to maintain production value while keeping costs to a minimum.
Discover a Final Cut Pro X feature that flies under the radar for many new editors: copy the attributes of any clip in your timeline and instantly paste them across multiple clips.
These must-watch interviews offer great insight for every filmmaker. Learn about the art and current state of the film industry from The Hollywood Reporter’s 2016 Oscar roundtables.
Being a filmmaker is tough business. Your success will rely greatly on your ability to market your filmmaking skills. Let’s learn how to do just that.
Take a revealing look at the history of Hollywood censorship, the MPAA film ratings system, and how films are rated.
You don’t have to spend a lot of money to capture eye-catching dolly shots. Here are a few pro and DIY options that won’t bust your budget.
We sat down with colorist Patrick Inhofer to discuss his color grading process and how new colorists can jump into the color industry.
ACE, ASC, DGA. What do those letters mean? Here’s a look at the most popular film societies.
Shooting a professional product video is surprisingly easy — if you have the right gear. Here’s everything you need.
Super 16mm film offers a distinct and beautiful look that can be hard to replicate digitally. Here’s what you need to know in order to achieve the S16 look when shooting on a digital cinema camera.
The newest cameras heading to shelves, Zeiss lenses for your phone, and the ins and outs of how video gear was stolen last year. Here are the biggest headlines of the new year.