From Orson Welles to Ridley Scott, great filmmakers have developed signature styles that we know and recognize. Let’s look at the favorite focal lengths of famous directors and how they made them their own.
Color grading long, extensive projects is made easy with this simple solution for moving from Premiere Pro to DaVinci Resolve without rendering.
See how Microsoft utilized Motorized Precision’s KIRA robotic camera arm to capture the Surface Studio launch video.
Make your very own DIY LED bar light! It’s surprisingly simple and cheap thanks to this quick in-depth video tutorial!
Apple announces a Final Cut Pro X update that features a new interface and workflow designed for the new MacBook Pro.
The new Apple MacBook Pro (featuring a new Final Cut Pro) and Microsoft Surface Studio compete for the creative market. Filmmakers, video editors, motion designers, and animators rejoice!
The Match Cut is a timeless video editing technique that adds rhythm, flow, and style to any project. Let’s explore this eye-catching storytelling method.
Learn how to frame a Long Shot the Conrad L. Hall way. Break down the work of a ten-time Oscar nominee by learning the difference between a Long Shot and Extreme Long Shot.
Get glitchy with your next project with these digital distortion video packs from around the web.
Follow in the footsteps of today’s top cinematographers by creating and maintaining your own unique vision.
Camera mounts and stabilizers can be quite expensive when buying name-brand gear. Making your own DIY camera stabilizers and mounts is a much cheaper alternative.
The Dolly Zoom is one of cinematography’s most striking shots. Here’s how you can recreate it in post.