The Oscar-winning editor behind Whiplash and La La Land tells us all about how he cut First Man like a documentary project.
Find out everything you need to get started in DaVinci Resolve with this complete, six-part video guide to the best free video editor on the market.
Working with proxy files in Adobe Premiere Pro is easy, but high frame rate footage requires a few extra steps. Here’s what you need to know.
We recently spoke with one of the busiest supervising sound engineers in the business about what it takes to build a world using sound.
So you’re making a film, and there’s no budget for location scouting and management. No problem — here’s how you handle it yourself.
Director Adam Salky talks about his approach to filmmaking and working on his recent project “I Smile Back” with Sarah Silverman.
One of the most exciting features of the GH5 is its ability to shoot a high-resolution time-lapse, in-camera without any additional gear or software.
Every filmmaker is familiar with image noise, but what are its frequencies, and what’s really going on when we clean it up?
In part 6 of our six-part video series The DaVinci Resolve 15 Crash Course, we take a look at the basic settings you need to know to …
We spoke with the Oscar-nominated editor of Green Book, Patrick J. Don Vito, about knowing when to make the call and kill your darlings.
Sometimes, your project needs more than a simple cut, but a flashy transition is too much. Enter the audio ramp-up transition.
Still photographer Matt Kennedy shares insights about shooting for both big projects like Black Panther and smaller, more intimate productions.