We recently spoke with one of the busiest supervising sound engineers in the business about what it takes to build a world using sound.
So you’re making a film, and there’s no budget for location scouting and management. No problem — here’s how you handle it yourself.
Director Adam Salky talks about his approach to filmmaking and working on his recent project “I Smile Back” with Sarah Silverman.
One of the most exciting features of the GH5 is its ability to shoot a high-resolution time-lapse, in-camera without any additional gear or software.
Every filmmaker is familiar with image noise, but what are its frequencies, and what’s really going on when we clean it up?
In part 6 of our six-part video series The DaVinci Resolve 15 Crash Course, we take a look at the basic settings you need to know to …
We spoke with the Oscar-nominated editor of Green Book, Patrick J. Don Vito, about knowing when to make the call and kill your darlings.
Sometimes, your project needs more than a simple cut, but a flashy transition is too much. Enter the audio ramp-up transition.
Still photographer Matt Kennedy shares insights about shooting for both big projects like Black Panther and smaller, more intimate productions.
In this walkthrough, we’ll cover how to use the razor tool, the ctrl+K/⌘+K shortcut, and Ripple and Trim editing techniques in Premiere Pro.
A look at the cameras and gear used to capture all of the 2019 Academy Award nominees for Best Picture and Best Cinematography.
In part 5 of our six-part video series The DaVinci Resolve 15 Crash Course, we take a look at everything you need to know about the delivery …