The 5D was always for photographers. The Canon 5D Mark IV makes it official.
Matching shot colors between two clips is easier than ever with these simple tips for Premiere Pro and Final Cut Pro users.
Revisions can be a pain equally felt by video editors, motion designers, VFX artists and colorists. Here are some tips on limiting endless video revision requests so you can get to work on your next project.
Learn how to use the simple effect of the freeze frame to hold your image on screen and in the minds of your viewer.
Shooting in the rain is definitely a challenge, but sometimes it’s a must. Use these tips and tricks to make your rainy shots worth the effort.
What is a digital colorist? What are they responsible for? Let’s take a look at the ever-changing duties of colorists in film and video production.
While few DPs enjoy the household-name status of their director counterparts, if you follow the art of cinematography, be sure to keep an eye on these up-and-coming cinematographers.
Keep your viewers on the edge of their seats and give your next project an explosive edge with these action video tutorials!
MPC shows off stunning before and after images of their VFX work with Harley Quinn, Joker, Batman, and the Suicide Squad.
For some reason you can’t just simply white balance footage in Final Cut Pro X with the push of a button. Here’s a workaround that doesn’t require any plugins.
The MIT artificial intelligence lab is about to change the way movies are made and viewed. Take a look at three revolutionary new programs that must be seen to be believed.
There’s something magical about seeing a digitally restored film as it was intended — on the big screen. It captures something that’s lost when you watch a torrent or a DVD on your laptop. But what is that something?