Each iteration of Blackmagic Design’s DaVinci Resolve has become more efficient than the last. In 15, it’s the shared node that makes the difference.
Start taking care of business by entering to win a brand new Sony A7III camera with a Sony 24-70mm f/4 Vario-Tessar Lens!
Before you hit record on the next film or video project featuring yourself, be sure to work through the items on this checklist.
In this article, we take a look at the keys to success when shooting beautiful landscape footage for your next film or video project.
From working beside Dick Van Dyke to animating The Flash, Charlie Schlatter tells us how he learned to let it all go and finally find his voice.
True audio professionals always have a few equipment tricks up their sleeves. Luckily, they don’t always have to be expensive.
Filmmaker Jessica Sanders chats about her short “End of the Line” and some of its amazing practical and digital VFX tricks.
Is your machine struggling to play back media in DaVinci Resolve at the correct frame rate? If so, you may need to use optimized media.
If you think you need to be in New York or Los Angeles to have a career, filmmaker Justina Walford is here to tell you otherwise.
Anamorphic lenses yield arguably the most inherently cinematic images. Now, thanks to Atlas Lens Co. and others, they’re becoming more accessible.
In a new documentary, Off the Tracks, Bradley Olsen explores why Apple made those fateful decisions when designing Final Cut Pro X.
In this video tutorial, learn how you can use the Layer Styles menu in Adobe After Effects for your next film or video project.