Every filmmaker is familiar with image noise, but what are its frequencies, and what’s really going on when we clean it up?
Mastering color correction means understanding the color channels that make a good image. Here’s how to isolate the chroma and luma channels in Premiere.
Quantum image sensors are undergoing extensive development. So what does the technology mean for tomorrow’s videographers?
Need to clean up some noise in your footage, fast, but you don’t have any plugins on hand? We’ve got you covered with this technique.
Adobe’s Creative Cloud has suffered a number of bugs and stability problems with each update. One bug, though, could get expensive.
Proper data protection during production is critical, and Pixar almost learned this the hard way with Toy Story 2. Here’s the story.
Here’s the post-production guide (and photo tour) to how and why you should incorporate Opacity Blending into your next project.
There are dozens of ways to reduce noise in your footage, but today, we’re diving into DaVinci Resolve for one of the most power noise reduction techniques …
In this article, we take a look at the basics of HSL qualifying and keying — and how to incorporate it into your next masking job.
Sometimes you just have to save a shot. Here are two different ways you can clean up noisy footage when you have no other choice.
Blackmagic Studios announced their new RAW codec September 14th 2018, claiming it is a “next generation codec.” So is it?
We’re here to answer some questions — what are compression ratios, how do they affect digital filmmaking, and what do they have to do with codecs?