Adobe’s Creative Cloud has suffered a number of bugs and stability problems with each update. One bug, though, could get expensive.
Proper data protection during production is critical, and Pixar almost learned this the hard way with Toy Story 2. Here’s the story.
Here’s the post-production guide (and photo tour) to how and why you should incorporate Opacity Blending into your next project.
There are dozens of ways to reduce noise in your footage, but today, we’re diving into DaVinci Resolve for one of the most power noise reduction techniques …
In this article, we take a look at the basics of HSL qualifying and keying — and how to incorporate it into your next masking job.
Sometimes you just have to save a shot. Here are two different ways you can clean up noisy footage when you have no other choice.
Blackmagic Studios announced their new RAW codec September 14th 2018, claiming it is a “next generation codec.” So is it?
We’re here to answer some questions — what are compression ratios, how do they affect digital filmmaking, and what do they have to do with codecs?
What’s the difference between lossy and lossless compression? What about uncompressed? Learn the differences between each in this filmmaking guide.
You know the lingo, you landed a gig, and you’re ready to work. So what do you need to bring with you for your first of film …
Efficient radio communication on set keeps productions moving quickly. Here’s what you need to know to join the conversation.
Corrupted footage is every filmmaker’s nightmare. While there are some reliable recovery methods, let’s take a look at proper preventative measures.