Tanner Shinnick
Is the Canon C700 the Best Camera You’re Not Using?
The Canon C700 offers beautifully crisp and cinematic imagery, but is it ideal for your project?
Getting to Know the ARRI M18
The ARRI M18 can be one of the most powerful lighting tools for independent filmmakers.
Is Branded Content the Future of Commercial Filmmaking?
Give your clients the results they need with this latest trend in video production.
The Best Set of Go-To Lenses
These lenses are good additions to any videographer’s go-to kit. This breakdown explains why.
The Zeiss Otus Lenses Are Still Exceptional for Video
These versatile lenses continue to be high-performing video production assets.
Why I Switched Back to Final Cut Pro
After two months with FCPX, I have decided to make the switch from Premiere. Here’s why.
The Future of LED Lighting with the ARRI SkyPanel
The Arri Skypanel is one of the most versatile LED lights available.
How to Write a Documentary Treatment
You’ve got an idea for a documentary, but you need funding. Writing a treatment is an essential part of fundraising.
Is the Canon 24-105 L II the Best All-Purpose Lens?
Every lens kit needs a good walk-around and all-purpose lens. The recently released Canon 24-105 L II just might be the glass you’ve been looking for.
Is Episodic Content the Future of Long-Form Documentary Filmmaking?
Episodic non-fiction has risen greatly in popularity over the last five years. Is it a simple trend or is the format here to stay?
Is it Time to Switch Back to Final Cut Pro?
Over five years since its release, is Final Cut Pro X finally more of a viable video editing option?
How To Find the Right Subject for Your Documentary
It’s not easy to find the right subject for a documentary. Nonetheless, there are a few qualities you can look for in subjects to ensure they’ll be …