In a new documentary, Off the Tracks, Bradley Olsen explores why Apple made those fateful decisions when designing Final Cut Pro X.
Here are five ways DPs can create an excellent relationship with the director to strengthen morale on set and produce a better quality project.
We had the opportunity to chat with cinematographer Lucian Read about his work on America Divided, plus his thoughts on how to approach story as a DP.
Being the director and the DP of your next film may sound like the perfect way to control your budget and your creative vision, but is it …
We sat down with Matt Porwoll, one of the cinematographers behind The Trade to discuss making films about sensitive issues and working with Matt Heineman.
Considering a wireless video feed for your next project? Find out how to maximize this tool on set with this brief guide.
Still lenses can be great pieces of filmmaking equipment. But are they preventing you from making the best film possible?
Every cinematographer should know how to get the most out of locations and sets. Let’s take a look at some ways to elevate any shoot.
In which we take a look at what makes these particular ARRI lenses ideal for any cinematographer and any type of content.
Bounced light can soften your lighting without the use of diffusion materials, flags, or extra stands. Take a look at how it’s done.