Premium Beat stepped behind the lens with Cinematographer Michael Franks to discuss his insight on technology, and how to create the cinematic look.
We spoke with director Nora Mandray about contextualizing history and keeping a complex political timeline vibrant and legible in short form.
PremiumBeat sat down with composer Austin Wintory to discuss his latest project — a collection of his successful failures.
Emmy-nominated editor and filmmaker Vera Drew sat down with PremiumBeat for a look into her work on “Who is America?” and more.
In The Push, Grant Korgan explores the power of possibility through positivity, and shared with Premium Beat the insight gained through loss.
Editor Matt Friedman cuts to the chase on working with Lulu Wang and Awkwafina — and the importance of nailing multicultural projects.
Ernie Gilbert opens up about his journey from acclaimed Hollywood editor to director — and his new sci-fi short film Nine Minutes.
From The Man in the High Castle to Happy!, Cinematographer Gonzalo Amat shares the who, what, and why behind the production’s creative choices.
Composer Chad Cannon talks about his work, including the first project from Barack and Michelle Obama’s Higher Ground Productions, American Factory.
Strippers as athletes, sexuality as a means to power — dynamic cinematographer, Todd Banhazl, discusses crafting the look of STX Entertainment’s “Hustlers.”
We had the opportunity to chat with filmmaker Andrew Morgan and star Erica Muñoz about “Long Gone By,” a very timely and emotional drama.
Production designer Judy Rhee shares insight on how collaborating with others creates inspiration in the projects she designs.