An interview into the current best practices for editing animation with one of the best in the business… Felipe Salazar.
An interview with two of the DPs behind Netflix’s Grace and Frankie on how they worked to give the classic sitcom look new life.
PremiumBeat sat down with actor-turned-director Laura Seay for first-hand insights on the challenges and rewards in making this transition.
PremiumBeat got all the gory details of how Clouser generates his inventive scores using synth, instruments, effects, and processing plugins.
The minds behind Hometown discuss how video production companies must adapt and find new ways to tell stories remotely and on a global scale.
Explore filmmaker Lee Isaac Chung’s naturalistic approach to character in Minari, and how you can hone in on this unique storytelling method.
Award-winning artist Jonathan Winbush discusses his experiences selling NFTs and his advice for new artists entering the crypto art world.
Follow this step-by-step process of transforming a less-than-ideal interview location into something visually pleasing to the eye.
Cinematographer John Benam shares his experience filming the controversial Sundance feature documentary “Assassins.”
Cinematographer Michael Pessah discusses the lighting, camera, and overall planning it took to pull off shooting a beach night exterior. Smiley Face Killers is a treatise in …
From the talkies to virtual reality, composer Guillaume Roussel talks with PremiumBeat about his process when scoring a film.